mellodrama

music, pictures, true No Comments »

A couple of friends and I went to see the documentary film Mellodrama last night, which was all about my favorite musical instruments, the Chamberlin and Mellotron.

When you press a key on one of these instruments, it plays a tape of a cello (or a flute, or an orchestra, or various other instruments) playing the note you want to play.  They were invented with the idea that organists could play the sounds of the orchestra in their homes, but they quickly found their way into recording studios and rock bands, who liked their haunting, ethereal sounds.

The most famous example of a Mellotron sound is the flute at the beginning of Strawberry Fields Forever. . .

. . .but there are countless other famous examples, like the flutes in “Stairway to Heaven” and the lush string parts in “Nights in White Satin” by the Moody Blues.  It’s all over the Fiona Apple albums, as well as Aimee Mann, Micheal Penn, Led Zeppelin, Crowded House, and. . .well, maybe you should go ahead and check out this playlist on Rhapsody.  Listen to the music around the vocals, and the way the instruments interact.  If you hear things that sound like flutes, or lush orchestras, or solo cellos and violins, or vibraphones, it’s probably a keyboard instrument like this instead.

I wish I was lucky enough to own a real Chamberlin, but for now I’m content to have the sample CD from Mellotron Archives, which gives me a ‘best of’ collection of the most widely used sounds, without the expense and hassle of owning a famously unreliable and cantankerous instrument.  Those sounds continue to be my not-so-secret weapons on many of the songs I produce and play on.  This documentary is a fascinating look behind the scenes of a very interesting set of instruments, which was the first incarnation of the idea of sampling as we know it today.

Whether you’re a musician yourself, or simply a music fan who likes to know how music sounds the way it does, this will offer you some great insights into one of the most influential instruments out there.  Lots of well-known people are in the film, including Jon Brion, Brian Wilson, Michael Penn, Patrick Warren, Brian Kehew, Matthew Sweet, and many others.  I urge you to track the film down and watch it.

I’ll be buying it on DVD.

Brrrrrains!

beautiful, cello, funny, pictures, true No Comments »

Earlier today, I heard someone mention the phrase, “We only use ten percent of our brains,” and that got me thinking of a number of reasons why that statement isn’t true.  First of all, most human beings are very highly evolved, and every part of our bodies (with the possible exception of the coccyx) has a specific function and purpose.  Things that don’t serve any purpose get evolutionarily ‘weeded out’, you might say, and tens of thousands of years of that process have left us pretty dang streamlined.

Different brain functions are handled by different sections of the brain, so while at this very second you may be using only ten percent of yours by watching television, or by having sex, or by reading this blog, you’ll be using different parts of it to know where your limbs are (without looking), or to recognize your childrens’ faces, or to simply keep your balance, or to recognize subtle social cues, or to play the cello.  You’ll have used your entire brain in just a few minutes without even, dare I say, thinking about it.

Where did the ten-percent myth originate, and why does it persist?  According to Barry Beyerstein, it seems to be a skewed modern outgrowth of an idea put forth by Victorian-era psychologist William James, who was fond of saying that people rarely achieve more than a small amount of their potential.  From there, the idea spread into the public vernacular, where it somehow morphed into ‘ten percent of their potential’, and then into ten percent of the brain.  Once that meme spread out across the world, it never really went away, despite the enormous scientific and technological breakthroughs on the subject during the intervening decades.

I love to find out about the modern discoveries that prove how ‘plastic’ and changeable the brain is, especially following a brain injury.  If you lose your sight, for example, your brain will learn to process things you TOUCH with the visual cortex.  A friend of mine used to have a little blind cat who knew her way around the entire house, could walk right over to you wherever you were, could jump to window sills (and even knew which window sills had decorative stuff in them she needed to avoid, or were sills that she was unable to jump to), and could even climb up and down the fire escape without ever missing a step.  My own cat, who had normal vision, wouldn’t go near the steps of the fire escape because she could see how steep the angle was, and how high up our third-floor apartment really was, and it was all too much for her.  The blind cat would run up and down without a care in the world.  She had the place completely mapped out in her brain, and knew exactly where everything was.

The ten-percent theory seems to rank up there with other misinformed phrases like ‘sweat like a pig’ and ‘eat like a bird.’  Pigs don’t sweat, which is why they lie around in the mud to keep cool, and birds have to eat twice their own weight every day in order to have enough energy for all that flying.  My favorite thing to say, when someone says they eat like a bird, is, “Oh, really?  Twice your own weight every day?  Or do you mean you peck at the food on your plate, without using your hands or utensils?”

The good news, possibly the most heartening of all about the brain theory, is that if you DO only use ten percent of your brain, but you use it to think about THE Brain, that should bump you up to at least a good fifteen or twenty percent right there.

best of BFS&T, 2010 edition

beautiful, blogging, cello, dreams, funny, love, music, Oregon, pictures, Portland, recording, sad, true, Washington, Yakima No Comments »

2010 has been very strange.  At the beginning of the year, I was still on blogging hiatus, so it took a while to get back up to speed.  Springtime was crazy, with lots of great musical endeavors and memorable trips.  By the summer, both my life and this blog went into overdrive, when I really started writing again, and found my full stride while sharing a bit too much about my childhood.  Suddenly it was October, which is the month of my birth, but this year was also the month of my stepdad’s death, which has sent everything into a tailspin since then.  A surreal trip to Yakima for the funeral was followed by multiple trips to Seattle, both for gigs and for family functions.

There were some standout moments from this last year that didn’t manage to make it into the blog, for various reasons.  For example, here’s a video of a particularly interesting recording session that I was lucky enough to be involved with, albeit in a small way.  A local singer-songwriter, who is also a friend, put the word out on SocialNetwork that she wanted to create a cacaphony of 50 pianos, all playing an F chord at the same time.  I jumped at the chance.  She rented a piano showroom downtown, and my friend and I (and forty eight or so other people) joined in to participate.  I brought my camera to capture a bit of the action.

Another memorable moment from this last year was Trek in the Park.  This theater group gets together every year to re-create a famous episode from the original Star Trek television series.  This year’s was Space Seed, in which we meet the infamous character Khan (who returned in the movie The Wrath of Khan).  It was a very well-done production, with live music and everything. . .and it was all free of charge.  Here’s the climactic fight sequence between Kirk and Khan.

IrishBand released our self-titled EP this year, as well as an amazing animated video that a friend created for us.  I would post that here, but our band name is very unusual, hence the pseudonym.  To celebrate, we went to Port Townsend, Washington (the hometown of three of the band members, and an adopted home away from home for the rest of us) to play a CD release party and catch the Rhododendron Festival and parade and everything.  It’s always a huge party weekend for PT, and this year was the tenth reunion for PT High School, which included Violinist and a bunch of other friends, so I actually went to the reunion barbecue in Chetzemoka Park during the afternoon, since I knew so many of the people there.  (God forbid that I actually go to any of my own class reunions; I haven’t yet.)  I also performed in the parade, in disguise, as an honorary member of Nanda.  I’m the guy with the Mexican wrestling mask, playing the bass, miming along to the dance music that was blaring from the speakers in the back of the truck.

I had the opportunity to see the Oregon Symphony perform many times this last year, with some pretty big-name performers.  Violinists Midori and Hilary Hahn, violinist Pinchas Zukerman and his cellist wife Amanda Forsyth (who, incidentally, gave a cello master class at the Old Church that afternoon, which I also attended, even though I’m far from being a cello master) who performed Brahms’s Double Concerto together, and a number of others.  This month, I have a ticket for pianist Emanuel Ax’s concert, which I’m very much looking forward to.  Yo-Yo Ma performed here a month or so ago, but his concert was sold out in the spring, only a few weeks after tickets went on sale.  Curses.

So it’s been a good year, overall, but I’m really hoping that 2011 is better, or less confusing at the very least.  I have lofty goals for the upcoming year, which include finding a job, finding love and a real relationship, taking care of some things that have been dogging me for a while now, and producing more CD’s.  I have a bit of news on the music front, actually.  A friend of mine hurt her arms a year ago, and has since been unable to play the piano, but that hasn’t stopped her from singing, or from writing lyrics and melodies, or from having tons of ideas.  She e-mailed me at some point to ask what people in her position do in the music business.  I told her I don’t know about ‘the music business’, but I’d love to give the songs a listen, and that maybe I could put music to them.  She sent me some mp3’s, and I instantly felt like I knew where the songs should go.  They felt familiar without being predictable, which is always a good sign.  That was about two months ago, and we already have five or six collaborations in the works.  Pretty awesome and exciting.

In other news, December is the fourth anniversary of this blog, so it seems appropriate to have a little birthday party, no?  Come on, let’s have some sis-boom-bah.

So anyway, on to the Best Of.  Here are the lists of what I consider to the best entries BFS&T has to offer from this past year, which naturally includes a list of the most interesting dreams, as well.  Enjoy!

THE ENTRIES:

SteamCon – the steampunk convention in Seattle in which PolishCellist and I played, and had a total blast doing so

tragedy – the death of Stepdad

struggle – the early aftermath of the death of Stepdad

sitting here thinking about the Holocaust – one of the funniest things I’ve ever heard on the radio

folk festival fun – Portland Folk Festival, starring IrishBand, Dan Bern, Roll Out Cowboy, etc.

I’m kind of an a-hole – see for yourself

birthday present – prostitute schmostitute

the unicorn code – love it, learn it, LIVE IT

no one’s laughing – a peek into our family dynamics

déja vu – what it feels like, and a friend who claims to never have experienced one

the truth is out there – interesting UFO story, I promise

it’s not for shaving – Occam’s Razor, and how it applies to recording music

what if it is? – a very memorable and touching moment from the show Six Feet Under


THE CHILDHOOD STORIES:

shuttlecock

love and curiosity

he ain’t heavy, he’s my brother

the final innocent tryst

synchronicity

THE DREAMS:

lights, camera, dream

festival dream

shape shifters

inimitable and imitable

subconscious and libido

this needs a name

frozen

Just in case this wasn’t enough for your insatiable appetite for blog entries, here’s the Best of BFS&T 2009 entry, for your gluttonous pleasure.

Thanks for being here and reading all this, and for supporting this blog for such a long time now.  I really appreciate it.  I hope we all have an excellent New Year’s Eve, and Day, and that 2011 allows us to learn, and to grow, and to change for the better, a little bit each day.

Happy New Year!

an odd dream of flight

dreams No Comments »

Despite the fact that I have a multitude of vivid dreams, I rarely fly in them, so when I do, the results can be pretty spectacular.  Last night’s dream didn’t disappoint in either respect.

* * * * *
I’m walking in a hospital [hospitals sure do seem to feature prominently in my dreams lately] to visit a friend who recently had a baby.  She used to work at the hospital in previous years, before a career change.  She’s been recuperating there for a month or so now, and she’s both rested and restless, so she takes walks around the entire hospital to stave off boredom and visit with her friends and former colleagues.  I see her walking down a long hallway, and jog over to where she is.  We walk together into a large open room that is a sort of lounge area.  There is a grand piano in the room, and a group of tables nearby, where a few employees are sitting and talking amongst themselves when we walk into the room.  The other people see my friend and instantly light up.  They wave her over to where they’re sitting, and I hang back for a minute to let her talk with them.  I walk over to the piano, which is positioned next to the door of the supervisor’s office.  It’s kind of a tight squeeze, and there are a bunch of other instruments (mostly drums and cymbals) stacked over there too, which are actually blocking the door to the office.  Since I seem to be the only one who notices this, I decide to do a little mitzvah and move the instruments out of the way.

As I start to move the cymbal stands around, a very tall, lanky acquaintance of mine appears and says hello.  He puts his arm around my shoulder and leaves it there awkwardly while I’m trying to move instruments around.  “Not the best time for that arm to be there,” I tell him.  “Maybe wait until I’m not trying to move a bunch of stuff.”  He moves the offending arm, and I reach for a cymbal.  The friend I came to visit calls to me and gives me a little come-over-here motion with her hand, so I walk over and join them.  She introduces me to them, which attracts the attention of the supervisor, who walks out of his office and sits by himself at a table in the middle of the room.  He is a very heavyset man in his mid-fifties, and his gaze moves from person to person.  He says nothing at first, but the jovial mood of the group instantly changes to a more somber one.  The supervisor knows my friend from her time there, and obviously knows all of the other employees, but there are three of us who are visiting, so when everyone else is quiet, he motions for the three of us to stand together so that we can answer a question.  He asks us what we do for a living, and the first person is a young guy of around twenty-one.  “College student,” the guy replies, to which the supervisor thinks for a minute and says, “Six hundred dollars.”  Apparently, the man is estimating each of our various levels of income.

The next person to respond is a woman of short stature who’s nearing fifty. “I’m sort of a cross between a social worker and a nurse,” she says, wearily but proudly.

The man is clearly impressed with her answer, but his voice remains gruff.  “Sixty-five thousand,” he says, and turns to me for my answer.

“I’m a musician,” I tell him and the group.

The man sputters with laughter, which makes me angry, and I look away.  “Three days,” he says.  “You’re lucky to work for three days in a row.”  He stands up from the table and walks back into his office, still chuckling to himself.  The three of us in question rejoin the group of employees.

“What was that all about?” I ask my friend.  “We don’t even work for him.”

“It’s just his way,” she replies.  This isn’t an answer that improves my displeasure, so I tell her that I need to go for a walk around the block and cool my jets for a few minutes.  I walk outside and take a look around to get my bearings.  The hospital is a hundred-year-old stone building, surrounded by well-manicured shrubs and trees, with colorful groups of flowers at various places along the sidewalk.  It looks more like a church than a hospital, and the neighborhood is similarly beautiful.  The sidewalk is very uneven, and there are lots of up or down steps here and there to make walking easier.  It’s not an easy walk, though, and there are even small bushes growing over (or even up out of) the sidewalk in a few places.  As I walk along, I find myself jumping over the bushes and steps when I come to them.  Before long, my jumps are getting longer and higher, and I think, I might as well just fly.

As soon as I have that thought, I leap into the air and fly around in circles over the neighborhood, next to a few tall buildings nearby, and finally toward the high roof of the twenty-story hospital, thinking, I probably should’ve done this before.  When I arrive at the top, it occurs to me that I should be careful not to attract attention to myself, since nobody else can fly, and I might arouse suspicion, or jealousy, or worse.  I decide to go back to where my friend is, so I fly down toward the ground, attempting to stay close to the large trees near the edge of the hospital grounds.  As I lower myself to about thirty feet off the ground, I feel a small electric shock on my right arm.  I look down to see a man with a type of low-voltage taser gun pointed at me.  He pulls the trigger, and a green bolt of electricity hits my arm again.  It’s not powerful enough to hurt me, but if a small group of people used their tasers at the same time, it would be more than enough to drain my energy and render me flightless.  I fly away from the man and land nearer to the hospital.  I run to it, and duck into a white, unmarked door along the outside of the building.  It’s a supply room, and I rummage around in there until I find a box full of ugly purple polo shirts with the hospital’s name embroidered on the breast in white letters.  I grab one and put it on, hoping that this will be enough to fob off at least some of the people who would try to stop me, or to ask me questions.

I walk back in to get my friend.  “I’m sorry, but we have to leave now,” I tell her.  “I can’t really tell you why, but we may be in some danger.”  She gives me a look and starts to protest, but I grab her hand and quickly escort her outside.

“Wow,” she tells me, “you sure do know how to get in trouble quickly.  You’ve only been gone for a few minutes.”

“I know,” I say, “but I’ve found out about lots of things in those few minutes.”  I put my arm around her shoulder and raise my other arm to fly.  “Hold onto me.”

Now she’s really starting to protest.  “What the heck are you doing?  Are you crazy?”

“I love you,” I tell her.  This takes her completely by surprise, and she stops pushing against me, which is what I want.  It’s much easier to fly someone else around if they’re relaxed than if they’re not.   I leap into the air and my friend clings on for dear life, looking between me and the rapidly receding ground.  I try to reassure her by telling her, “In my experience, I’ve found that a little bit of shock value, or at least surprise, makes people relax, which makes it easier for me to ‘fly’ them.”  She doesn’t seem to like what I’m saying.  I continue flying, until we’re on a precipitous hilltop that is as high as the hospital.  The hill is covered by grass, and is only a few feet across at the top.  It’s so high that there’s actually a bit of snow on the tiny ledge, which makes keeping our footing difficult.  My mom is up there too, as well as the college kid who was in the room with me, being questioned by the gruff and blustery supervisor.  I tell my friend, “Sorry for having to do that, but I just did what I had to do in order to get us out of there, and that’s the first thing I thought of.  We’re safe now.”  I hope she believes me.

I tell the three of them to wait for me, and I’ll come back for them when things are safer.  I fly down in wide circles toward the hospital.  Along the way, I feel more taser blasts on my arm.  I look down to see about twenty people, in different locations, all working in conjunction to bring me to the ground.  I think, This is disappointing, they don’t even know me. I land on the ground and run into the hospital’s parking garage.

The dream’s time frame changes, and I have already brought my friend, my mom, and the college guy down from the precipice.  I’m walking through the parking garage, and when I look through a stairway to a lower level, I can see my mom walking by herself toward her car, unaware that these men are after us.  I think, I need to get to her, but I can’t risk flying. I decide to jump off the level of the garage that I’m on, and down the outside of the building, feet first, using my hands and shoes to slow me down.  I do this successfully, sliding down two levels and crawling into the window, where I land with a thud.  I remember that gravity gets stronger the longer you fall, so I need to be careful here.  I see my friend walking outside on the sidewalk, so I dash over to where she is.  She’s visibly angry with me.

“Hey,” I start to explain, “I’m really sorry about all that, but I had to do it in order to keep us both safe.  That’s what counts, right?”  She’s not impressed.  “I do love you – that was true – but I know you’re with someone (and you guys have a kid!), so I would never do anything to interfere with all that.  There’ll probably never be a chance for us to be together, and I totally understand that.  You guys have nothing to worry about.”

“Listen to you, talking like an old person,” she says.  “Why did you have to go and say that?  It’s not appropriate.”

“I didn’t mean to ruffle your feathers.  But there are people nearby who want to hurt you, and me, and your friends, and even my mom.  I had to get us out of there.”  My friend is clearly finished with this conversation, and is starting to become exasperated.  She gets up in a huff to walk away.  I start to ask her something, but think better of it.  “I’ll leave you alone,” I say, “IF that’s what you want.”

“Yes,” she says tersely, “that’s what I want.”  She walks away from me across the sidewalk toward the grass and the parking lot at the far end of the lawn.

I need to get to where my mom is, and the dream location changes quickly to the top of the parking garage.  I try my sliding-down-the-wall-trick again, but after the conversation with my friend, I’m flustered and not thinking clearly, so I forget to factor in the amount of gravity that I’m dealing with.  I slide out of control down the side of the building, slicing my hands and destroying my shoes.  I continue to fall and fall, but I never hit the ground.  Somehow I curve and fall horizontally about ten feet off of the ground, constantly gaining momentum and speed, until I’m traveling feet first, face down, at hundreds of miles an hour.  I try to stop, but I’m unable to, so I decide that some sort of force must be acting on me now, and I decide that I’d better not attempt to fight against it.

I wake up on my stomach, completely calm and relaxed, despite having the feeling of flying low, face down, only moments before.

dreams within dreams within dreams

dreams No Comments »

Last night, I had something I’ve never had before (WAIT FOR IT. . .); a dream within a dream.  In fact, it could be said that I had multiple dreams within a dream.  It was a very strange night indeed.

* * *

I’m walking in an airport to meet CollegeGirlfriend and her fiancee, as well as my Cincinnati friend DoctorLove and her fiancee.  They’re all arriving on the same flight, so we agreed that it would be fun to hang out together for a while.  The plane lands, and the four of them walk past the security gates.  We exchange hugs and handshakes and introductions, and then we walk down the middle of the airport concourse, talking about the various shops and restaurants as we pass them.  Somehow, CollegeGF and I get separated from the group, and we find ourselves walking through a very nice restaurant that overlooks the main runways.  The curtains are pulled back, and the sunlight is streaming through the enormous windows.  Everyone is sitting in groups of three and four, talking animatedly and watching the planes out the window.  It’s a lovely scene, and we both comment on it.  I tell her she should see the nicer restaurant upstairs, so we decide to walk up and take a look, but when we reach the top of the stairs, the heavy curtains are drawn, and the scene is very dark and gloomy.  The customers upstairs are gloomy too, especially juxtaposed with the festive scene happening downstairs.  We both have the urge to get out of there as quickly as possible, and we see a stairway going down at the far end of the restaurant, so we walk toward it at top speed.  Her top speed is faster than mine, however, so she leaves me behind and I have to say her name rather loudly and tell her to wait.  “I’m trying to keep up, here,” I tell her.  She stops and waits for me, and we descend the stairway together.  When we reach the bottom, we find the rest of our group waiting for us, so we walk over and join them.  The five of us walk outside the airport, and DoctorLove points out a stairway along the side of one of the buildings.  She tells the group that the stairway leads to a really great bar that she and I have been to a few times, and that it would fun to stop in there.   I agree, and tell the group that it’s a really fun place to watch planes, and that the food and wine there is particularly excellent.  The rest of the group comes to the concensus that there’s no time like the present, so we decide to head over there.

The dream’s location and time changes, and I’m parking my car outside the front door of a hospital.  It’s fairly late at night, and I’m going to visit Mom, who is still very depressed after Stepdad’s death.  I go into the hospital and ask the receptionist for my mom’s room number.  She tells me, and I take the elevator up to the appropriate floor.  I see Mom’s room, and notice that the door is open, but the lights are low.  Her bedside lamp is turned on at its lowest setting.  I walk into the room and notice that an estranged friend from thirty years ago (I’ll call her AmwayJudy) is standing in the room, so I say, “Oh. . .hey.”  I turn toward Mom and AmwayJudy gets the unspoken message that she’s not welcome there anymore.  I sit on the side of Mom’s bed, and ask how she is.  She starts to cry and I put my hand on her shoulder.  I stay until she finally manages to fall asleep, and then I go outside to get some fresh air.  I see three cats standing a short distance away from the building, so I walk over to make their acquaintance.

“Hello, little friends,” I say, reaching out to pet them.

As soon as I reach down, one of them grows to a height of about four feet, stands vertically on her hind legs, and puts one of her ‘arms’ around my back.  She speaks to me.  “My name is Nesspaw,” she tells me.  “What are you doing here?”

I laugh to myself at her name, which is a homophone of the French phrase n’est ce-pas, which means something like “Isn’t it?” or “Isn’t that so?”  I also realize that she and the other two are sirens, and that I need to get away from them.  “Ohhh, that’s right. . .Nesspaw!  We’ve met before, actually.”  I extricate myself from her clutches, and walk quickly in my original direction.

“I remember you now,” she says, starting to walk behind me clumsily, obviously unaccustomed to being vertical.  “What brings you to the hospital?”

“I’m here to meet my mom and brother,” I tell her.  “I have to go now, unfortunately.  See you later!”

I walk back through the darkness toward the entrance to the hospital, when Brother pushes the door open and walks down the steps to greet me.  We walk toward the hospital’s large side lawn, where a kind of conference is happening, with various public speakers and booths, all dealing with the subject of depression and death.  One speaker in particular is talking about a Death Council (which is related to a news story I was listening to on NPR when I went back to sleep) and a Depression Council, so I mention to Brother that we should make a point of attending this guy’s actual seminar when it occurs.  I see a little stone gazebo at the edge of the lawn and walk over to investigate it.  When I get close, I notice that there is some loose dirt underneath it, with some plastic toy animals scattered in the dirt.  I pick one of them up, and I get sucked into the dirt.  This is how the dream-within-a-dream section comes about.

I’m now a woman, who’s some sort of secret government agent.  My work partner (a man) and I are swimming in the ocean, wearing SCUBA gear and looking for an alien craft that was reported to have landed just off the coast of someplace tropical.  The water is warm and clear and beautiful, as is the perfect weather.  Suddenly another alien craft appears overhead, flying low and out of control.  As it passes over us, we notice that it has a sort of invisible energy field (even though it’s invisible, we can see the water and spray being disturbed by the field, which is how we know it’s there) surrounding it, which will allow the craft to safely land in water and allow the crew to survive, even if it the craft is destroyed in a crash.  We don’t wish to be seen by the craft, so we swim down to an underwater house where a friend of ours, a fellow government operative, lives.

As we get closer to the house, we notice that it looks like any other house, but it just happens to exist on the ocean floor.  There is an SUV parked in the garage with a small white trailer (called a Ewe-2, with a very funny little sheep logo on it) attached.  We swim to the front porch and find that we’re able to stand and breathe normally despite being submerged, so we knock on the door, which our friend opens and lets us inside, greeting us warmly.

Our friend is housing a boy who has special powers of some sort, and I attempt to talk to him.  He makes a strange sound in response to my queries, and our friend tells me that the boy is unable to speak, but that he can communicate in writing, as long as it’s in Spanish.  I make a quick mental shift and try to dredge up the tiny amount of Spanish I used to know back in my high school days.  I motion to the boy for a pen, and then some paper, which it takes us both quite a bit of difficulty to find.  Eventually, however, he scrounges up a large pink ball-point pen, and I find some pink sticky notes to write on, and we start the process, which is when the dream-within-a-dream ends, and the location changes back to the hospital.

I’m sitting in the hospital’s waiting room, which looks like it was designed and furnished back in the 1980’s, with lots of teal-colored fake leather sofas and stylized flower prints hanging on the wall.  My two stepsisters are in the room too, sitting on a sofa next to the one I’m reclining on.  They both tell me that they’ve just woken from an amazing dream in which they were in a house at the bottom of the ocean.  We compare notes on our dreams, and we decide that we must have been having the same dream, although a few of the details about the boy are different.  “That makes sense,” I tell them, “because your perspectives and mine are different, so we’d naturally interpret things differently in our dreams.”

Now the dream’s location changes yet again, and Brother and I and about fifteen or twenty friends are staying at a beach house.   A few of us have stayed there before, and we’re explaining to the others that despite the fact that the house is currently sitting on wet dirt, it will actually float when the tide comes in.  I point at the waves and tell those who’ve never been there before that “the tide’s coming in now, and it comes from that direction.”  The waves come rolling in, and the house begins to float and bob a little from side to side.  Those of us who’ve experienced the floating house are cheering and running toward the windows, while the ones who haven’t are huddling toward the middle of the room, surveying the situation nervously.  The house floats toward some small piers with individual boats tied to them, so when the house floats near one, Brother, his ChineseFriend and I climb out the window onto one of the piers and into three of the tiny boats.

We each grab an oar as they float by, and the three of us have a blast as we paddle around the bay.  In this part of the dream, we are younger versions of ourselves.  I’m ten or eleven, and my brother and his ChineseFriend are four years younger.  We see some reeds poking up from the water near the shore, and it looks like they have been trimmed into paths of rapids and tunnels, which we row over to explore.  ChineseFriend gets separated from us, and a guy named Scott who grew up on our street joins us.  We find the rapids, and let our boats be thrust down the middle of the three paths we come to.  It carries us through a tunnel along a wooden ‘trough’ track, which curves through the grassland to the shore, where it deposits us on dry land at the end of the ride.  We shake ourselves off and exclaim what an amazing whirlwind that was.  There are two younger kids who arrived a couple minutes before we did, and we can hear their voices echoing back to us as they climb up one of the side chutes next to the wooden track.

We attempt to climb back through the same hole that the kids climbed into, but we seem to have grown back into our adult bodies, so Brother and NeighborScott and I can’t fit into the small chute anymore.  My head won’t even fit through the chute, that’s how small it is.  We look at each other and wonder what our plan should be for getting back to the bay.  A snippet of the younger kids’ conversation floats down the chute from above.  The kids are maybe eight years old, but one of them says to the other something very strange.  “Y’know, when you’re playing a cello, if you get a dog to lick the bow, that’s really sexy.”  My brother and I crack up laughing, and I turn to NeighborScott, who also plays the cello (at least in the dream), and say, “Did you hear that?  That’s the weirdest thing I’ve ever heard.”   He claims not to have heard it, so Brother tells him.  We all have a good laugh, and that’s when I wake up, for real, from all this craziness.