beautiful, funny, sad & true

Okay, so that good story I was promising.

I’m not quite sure how to tell it, but it involves two accordions and a member of the Decemberists.

So at the show on Friday, there were three groups. The first was a group from Alaska, the second was Susie and the band, and the headlining band was the person whose CD release party it was. I was quite happily surprised to find out that DecemberistsAccordionist was playing in the headlining band, because I think she’s really great, and finally I’d get the chance to meet her and tell her so. It’s also gratifying, in a different way, because I get the chance to be on par with lots of the people who I’ve looked up to for a long time, as a participant instead of merely an observer. Making good connections and new friendships like that is always a great feeling.

Accordions are like cellos, in that they’re fairly uncommon, and people tend to use only their own for years on end. Whenever you get the opportunity to play someone else’s, you tend to take it. She wanted to try my accordion, and I wanted to try hers too, so we did, and it was really fun. She’s got a really nice one too; very small and light and easy to play, and sounds very much like a musette. Mine’s huge and heavy, but it has a wider variety of sound possibilities.

There was an impromptu bluegrass jam session happening backstage in the green room, involving DecemberistsGuitarist, DecemberistsAccordionist, MississippiStudiosJim and a really amazing girl fiddle player. I could have listened to that all night. CellistSkip joined them too, and then they asked for different songs. I was sitting and listening–not playing, because there was already an accordionist involved–and then Skip started playing “Comfortably Numb” by HugelyFamousPinkEnglishBand. I grabbed my accordion then, and started to play the really high violin part, in harmony with what Skip was doing. Super fun and hilarious. The real show always takes place backstage.

By then the first band had finished, and it was Susie’s turn to play, so we went out onstage. Sounded great and felt great, but on about the third song, one of my accordion straps broke. I ran off stage and grabbed a chair to sit on, but it was still pretty much impossible to play. The song came to an end, and I told Susie what was up, and ran offstage again. She started to tell a story, I think. I don’t really remember, to tell you the truth. I was too busy freaking out.

Jim took a look and said, “Maybe we can fix it,” but we couldn’t. It had snapped in the fatal spot. I asked for DecemberistsAccordionist, but she was nowhere to be seen. Someone went and found her, and she very generously allowed me to use her instrument for the remainder of the show. Extra special mega-thanks to her for saving the day.

Tonight I’m taking it to the repair shop for some new straps. Can’t live without the accordion at all; it’s my bread and butter instrument, and yes, I do know which side the butter goes on.

Saturday I drove up to EmeraldCity to play guitar with Brandon and the band. It was really fun, as usual. His mom happened to be in town. I didn’t recognize her at first–it HAS been fifteen years, after all–but she refreshed my memory, and she’s a really sweet lady. So our first two sets were flawless, but by the third set, my pedalboard started acting up and losing power. Sheesh! Two weeks ago, the metal screw that tightens the hair on the cello bow broke. Friday it was the accordion strap. Saturday, the pedalboard was freaking out. What’s next?? Never mind, GearGoblins, I don’t want to know.

After the show, the three of us went to FamousRestaurantThatRhymesWithPennies. I got back to LittleBrothersHouse at 3:30 a.m. It was a really great time all around.

My mom was also at LittleBrothersHouse this weekend, and I haven’t seen her for a few months. It was a really good–if short–visit, and you’ll be glad to know that on Sunday we made Mister T sandwiches. I swear those things are going to catch on.

CatZooey is back with her owner now. It was great to have her staying here, but it’s also nice to have my place back. I spent last night cleaning like a maniac. I still have more to do, but it’s quite an improvement over the way this place has been lately.

So yeah; quite a weekend, indeed. Here’s to plenty more just like it.

In my quest for material to use in my 80’s Röck Blög series, I came across a funny web site about the ten ‘eightiest’ movies, called The Decade of Rad.

Here’s a sample, from the description of “Over The Top”. You know, the movie in which Sylvester Stallone is the arm wrestler:

This is THE arm wrestling movie. In the ‘80s, movie executives didn’t make a film about every single possible subject matter, but it wasn’t due to a lack of trying. “Gentlemen, have we done a picture about lawn darts yet? How about. . .C. Thomas Howell leads a group of teen lawn darters to save a. . .wildlife refuge. No, a salad bar. Speaking of bars, what if a robot entered the Olympics as a pole vaulter? Why am I phrasing that as a question? Make it happen.”

For the purpose of continuity with my 80’s Röck theme–and though the article conveniently fails to mention it–the theme song from this movie is the first time Eddie Van Halen and Sammy Hagar collaborated on a recording. How 80’s is THAT?

I have a cat staying with me for a few days. Her name is Zooey.

After all the stress and craziness in seemingly all aspects of life lately, not to mention the heavy subject matter (and arguments) here on El Blog-o lately, there’s nothing like a cute wittle kitteh to make you forget about all of it.

I came home from work yesterday to find her curled up asleep in the bathroom sink. Oh, how I wish I had a picture of that. She jumped down immediately and started rubbing on me. Cutest thing ever. After dinner, we both curled up on the sofa and watched Rock School. Hilarious documentary about a quasi-megalomaniac who teaches kids not just how to play instruments, but how to be rock stars. And no, he doesn’t hold back at all.

More good news; I’m going on tour with Breanna this summer, and we’re gallivanting all around the western U.S., the highlight of which will be a festival in Utah. ‘V. exciting,’ as Bridget Jones would say.

I heard a couple of funny statements today, from different people, that got me thinking:

“Last I heard, I’m not stupid, so–“

and

“I’m the most passionate person you’ll ever meet.”

It seems to me that ‘stupid’, like ‘crazy’, is not a diagnosis that can be reached by self-assessment. If it turns out that you actually ARE one of those things, then your objectivity completely dissipates, and your opinion is meaningless. Besides, it’s not very likely that any adult person is going to walk up to you and say, “Wow. . .you’re genuinely a stupid person,” even if you are one. That rarely happens in adult life. It happens all too frequently between children on the playground, and practically everywhere on the Web–anonymous blog hecklers and message-board flamers come to mind–but that kind of thing is very rare in society. In many cases, stupidity and craziness can run unchecked for decades, but because “last they heard” the person saw him- or herself as an enlightened super-genius, the myth gets perpetuated forever.

Same thing with ‘passionate.’ I’m lucky enough to know quite a few very passionate people, and the thing about them is that they don’t need to tell anybody how passionate they are, they just go and live their lives passionately. I get the feeling that the person who made that statement actually meant ostentatious; interested more in the outward display rather than motivated by genuine impulse.

This entry may sound a bit cynical, but I just immediately felt that those statements didn’t ring true, so I wanted to dissect them a little bit, and figure out why they bothered me so much. But then I suppose that anyone who has met my dad would understand why that particular brand of braggadocio would send a chill up my spine.

People who are genuinely intelligent, passionate, and well-adjusted would never dream of bragging about possessing those qualities. In fact, they’re often the most humble people you will ever meet. They choose to put the energy into their life, as opposed to making a flashy show out of everything, or talking endlessly about how much they know about a subject, or how they wish they could be doing something ‘if only–‘.

The point of all this is that if there’s something you’re passionate about, or that you would like to achieve in your lifetime, then stop talking about it, and just start doing the things you need to do in order to make it happen. It may be something small and simple, or it may be something huge and life-altering, but it can be done, whatever it is. Give yourself permission to do it, and then it will start happening for you, as if by magic. But it ain’t magic; not by a long shot. It’s constant vigilance and attention to everything.

God–not the devil–is in the details.

It’s 11:30 p.m., and it’s a very stormy night.

Nights like tonight are the nights that I really miss my old Taylor House apartment. You know, the one on the third floor of the hundred-year-old mansion. The one with the beautiful views of the city from three different directions. The one that I could watch fireworks downtown during the Rose Festival, the Starlight Parade, and on Independence Day. The one from which I watched almost every single sunset. The one that I called the Rock Star Factory. The one in which I learned how to play the accordion and the cello. The one in which I learned how to become a recording engineer and producer. The one in which I went from being a regular guy with a crappy job to a really talented guy doing what he was meant to do with his life. Basically, it was the place I lived when I learned how to do (and to be) all of the things that I’m doing (and becoming) now.

On stormy nights like tonight, the wind would beat the rain against all of the windows, and threaten to blow the roof off of the building, and I loved every minute of it. In fact, the more the wind howled, the more I enjoyed it. I would crack the window open, turn off all of the lights, turn off all of the music, light a candle or two, and just listen to the wind. I’d sit at the window and look out over the lights of downtown, or, on the warmer stormy nights, I’d stand outside on the fire escape, drinking a glass of wine, daring the wind to blow me down.

I wish I would’ve had a camera back then, because the sunsets alone were priceless. But then there are the countless memories of Katrina Petrovisky-Mouskewicz (the best cat ever), Amber and her fearless blind cat Kati and her mischievous rat Hannah, Craig, Kevin, Jeri, Meechai, Pelsang and the constantly rotating crowd of Tibetans, Erika, Daniel and the constantly rotating crowd of Brazilians, Henry, Morgan, Kristi, Amanda and Simon; the house parties until 4:00 a.m., Decemberists sing-alongs until the wee hours, mix CD’s which I still cherish and enjoy to this day, Jake and Skip flicking cigarettes from the fire escape to the street below, endless hours of recording my parts for Crystin Byrd’s “My Silence” CD, S.S. Flint and her pencil drawing, Jaime and Becky’s “Bus Song” and “12 Step”, rolling up the rug and recording the sound of Laurena the flamenco dancer weaving her magic spell, playing the cello badly while Andrea played the piano beautifully, climbing onto the roof for no reason at all, reading in the sun on the fire escape, seeing BoringFish again, walking with my guitars to the recording sessions at Jackpot, and a myriad of other things.

Here are some pictures of the apartment and me at the time. I have more, but they’re not on this computer. The best ones of all are the ones in my mind, anyway. The two gables on the right (top floor) are that apartment. Yes, I had a fireplace. And yes, I used it often.

I lived there for three and a half years, from when I was 30 and change to when I was 34. Moving out of there, while it wasn’t easy, was the right thing to do at the time. Sure was sad, though. It was by far my favorite place that I’ve ever lived, and I fully appreciated it the whole time I was there. I look back on it fondly as the place that I lived during the biggest changes of my entire life.

LoveItLoveItLoveItMissItLoveIt.

[edit: Incidentally, my gesture in the bottom picture has prompted a few questions. Since Crystin Byrd is the one who took that picture, I was doing an imitation of something our bass player and his girlfriend at the time used to do, which was to randomly make that face and gesture, and at the same time make the sound of a hissing cobra. It was very funny, and they would do it all the time. They might sneak up on each other in the kitchen, or it could be just as likely to happen when they were sitting and watching a movie. They could do it in a romantic and funny way too.

So there you have it. Not that it’s going to make any more sense, but at least you know the context, and that it’s not a “Hey, baby, lemme grab ya” expression or anything.]