robin, snow, mixing, rainbows

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I have to hand it to Tossed In for coming up with the best opening line of a blog that I’ve read in quite a while.

“Considering it was Hitler’s birthday, today was so-so.”

Cracked me up. And silly me for missing such a special occasion. How should someone celebrate that, anyway? What do you get for someone who’s responsible for the deaths of eleven million people? I ask you.

Anyway.

The mixing with Andrea went great, and we’re really satisfied with the results. Special kudos once again to DrummerAdam, who completely ruled on those songs, and every time I listen to them, I’m reminded of that fact.

Saturday I was awakened by a strange knocking sound. I got up and walked into the studio, to find a robin sitting in the tree outside the window, staring in at me.

I also couldn’t help but notice how much snow had fallen overnight, so I walked out front to find this tranquil scene:

I must’ve been quite a sight, in my long-sleeved T-shirt, pajama pants, and Doc Martens with no socks. Well, sometimes looking ridiculous is a small price to pay for the sake of Great Art.

I was the first one awake, since I’d slept (or should I say NOT slept?) in my sleeping bag on the floor in the drum room, so I dinked around online for a while, until everyone else woke up. Once they did, Andrea and I went for a walk through the golf course, to take pictures and just get some fresh air for a while, after being cooped up inside all the day before.

We both took about a million pictures, and good thing we did, too, because all the snow had melted by mid-afternoon.

After we were done with mixing, I drove the hour back to Portland, showered, changed my clothes, and then went on a really great date. We were lucky enough to get two rainbows; one in its actual form, in the sky – “Hey, that’s a good omen!” she said – and the other in sushi form; a rainbow roll. It was a wonderful evening – “Let’s do that a whole bunch more times,” I said – and here’s to a ‘whole bunch more’ weekends just like this one.

April Fools’ Day

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Tonight I spent an hour on the phone with a great friend who took a very big and gutsy step recently. I choose to say no more about it, but it took great courage to step up and do what he did, and I for one appreciate it whole-heartedly.

What a day this has been. After such a winter-storm-filled weekend, the weather was beautiful, so I didn’t really notice how stressful the day at work was. Went to lunch at CheapGoodMexicanRestaurant with a co-worker friend, and ran into the guy who engineered one of my recent drum recording sessions with Sarah. Not ShinsEngineer, but the other guy. Really nice guy, and since I hadn’t seen him since we did the recording session, it was really great to run into him again.

Sorry if this entry seems a bit cryptic, but I did just want to check in before I head out to rehearse for the play. Incidentally, here’s the flyer for said play:

I know I’ve said it before, but I’m incredibly honored to be a part of this production. It’s hilarious and touching and strange, and I just love it. I’m completely impressed with the people who are creating it, and at the same time, I’m glad to be able to be a part of it, too.

If you’d like to be there, contact me by any means necessary, and I’ll put you in touch with the people you need to be in touch with to get a ticket. They’re a mere ten dollars each. I try not to invite people to every single thing I do, but this one is so unusual–and so great–that if you enjoy what I do, and certainly if you’re a friend of mine, I can pretty much guarantee you that you will have a great time at this show.

This won’t be the last time you’ll hear about it. You will be reminded.

Oh yeah. . .just this second, I remembered that it was April Fools’ Day.

Hunh.

Well.

I don’t know what else to say about that, except that I didn’t get tricked today, and I also have to leave for rehearsal right now. Talk to you soon!

craziness

blogging, cello, music, Portland, recording, Washington No Comments »

Sorry I’ve been away for a few days. I’ve been meaning to write, but I’ve been busy every single night for the last two weeks. Between the multiple rehearsals for the play, an impromptu recording session with Steph, working a full day every day, it’s just been exhausting.

It’s been crazy. Go to work, go out for lunch with work friends or other friends (like today), come home for an hour or so to eat (or sometimes not), then go either out with a friend, race to a play rehearsal, or off to a gig. On Tuesday, RockShowGirl and I had dinner together here at my apartment, and then she came with me to Stephanie’s recording session–which, incidentally, was great!–and then I dropped off her off and got home at around 11:45. I checked my e-mail really quickly, and saw that Tossed-In was online too. He saw that I was on and called me. We then spent the next hour talking about music and ‘flow’ on the evening of the play, so I finally went to bed at one in the morning.

So yeah; lots of long phone conversations, lots of working, lots of playing, lots of rehearsing, lots of gigging, and it’s not even the weekend yet. Tomorrow I’m working a half day, then driving an hour and a half to visit my dad and stepmom. I’m staying overnight there, then coming back to town on Saturday morning in time to grab my cello and race over to a rehearsal for Bryn Loosely’s CD release party, which is Saturday night. Sunday afternoon is play rehearsal in the middle of the afternoon.

Right now I’m supposed to be getting ready for tonight’s Breanna gig. I’d love to be able to take a shower (woke up too late this morning) and play the cello for a while, but a little bit of down time will help immensely. If I’m lucky, I may just be able to squeeze in all three things.

more new music to share

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Okay, so here’s the music I was talking about the other day. The songs are now posted on MySpace, so they’re fair game to share with you too.

The band is called SistersBrother, and I played the drums and the bass on all of the songs.

On the song “Knickers” I also played the pseudo-ukelele part in the verses. On “Danger Boots”, I also played electric guitar in the middle section. On “Vampires”, I used tympani mallets for the first two-thirds of the song, then switched to sticks and rocked out for the last part of the song. On “Swallows’ Nest” I also played the glockenspiel and the flute-y keyboard parts that show up at various points throughout the song. This was the hardest song, as far as the drums were concerned. It’s almost like two songs in one, in that it alternates between a Beatle-esque feel and a pseudo-reggae feel, which are very difficult to transition between. The ‘hiccup’ drum parts during the ending section of this song are surprisingly difficult, and they’re the parts that I’m particularly proud of.

I’m really honored to be involved with Sarah and Jimmy’s project, and I’m glad that I’m finally able to share some songs with you.

OneYearAgo

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I had a great blog-related idea yesterday that I think I’m going to start implementing right away. I call it OneYearAgo, because I thought it would be interesting to compare what’s happening now with what was happening at this time last year.

Naturally I decided to unveil the idea tonight, the twentieth of March, which was a day that it just so happens was entry-free last year. Here’s the closest one, though, by way of example.

In more current news, I got an out-of-the-blue call this evening from MusicProducerSean, who started the conversation very simply, by saying, “You rock!” I was taken completely by surprise, and instantly burst out laughing. Apparently he’s been mixing the songs of Sarah’s that I recently played drums/bass/keyboards on, and it’s all coming together nicely. I can’t wait to be able to hear the songs, and also to share them with you.

That phone call made my day. No, I take it back; it made my month.

More musical news; Andrea’s album is officially finished being recorded, and now we’re trying to decide whether to mix the album ourselves, or to go with an ‘unbiased’ mixing person to give it a fresh approach. I personally lean toward doing it ourselves–the three of us have world-class talents, and Jim’s studio is full of all the best equipment–but we’re also interested in hearing what someone else would bring to the project. So I guess we’ll see. After it’s done, Andrea’s moving to Switzerland. LUCKY.

Time for me to get a passport.