My last entry was about Enigma, the studio owner I knew back in my Yakima days, and I promised you a couple more stories about him. Well, now is as good a time as any, and I’m ready for one if you are.

After I’d spent a few nights recording my own songs, and Enigma saw that I could play a number of instruments, he started calling me in to play keyboards or guitar on sessions for other people. One of the people was a singer-songwriter who A) fancied himself the next Otis Redding (despite the fact that he was white and had difficulty singing in tune), and B) coincidentally enough, had the same name as my childhood optometrist. We also worked with a group of four guys who were modeling themselves after the New Kids on the Block. Ever the budding entrepreneur, Enigma had the brilliant idea of introducing WhiteOtis to the NewKids and creating a ‘supergroup’ of sorts, which he himself would manage. I was called in to help them write some songs. This relationship proved to be ill-fated, and everybody went back to what they’d been doing separately. Otis continued working on his solo project, “Do It,” which would be the first session work on my musical resumé.

One night, we were working on one of the songs for that album—I should really call it a ‘tape’, since calling it an ‘album’ makes it sound much more glamorous and legitimate than it was—and I invited a couple of my bandmates to the studio so that they could hear what Enigma and I were up to. We arrived early, and hung out with Enigma in the studio’s front office for ten minutes or so, until Otis arrived and we all made our way to the main room of the studio. Not more than a few minutes after we had moved to the main room, we heard a bunch of loud sounds that we assumed were firecrackers until we heard things hit the window and saw the curtains moving. It was then we realized were being shot at, and we ducked behind whatever cover we could find. Otis and I hid underneath the studio’s large mixing console, which was sitting on top of a sturdy wooden table. My two bandmates hid around the corner by the bathroom, while Enigma grabbed his shotgun and climbed up a ladder and into the crawlspace above the ceiling. He intended to climb up to the roof and survey the situation from there.

Otis and I were nearest to the phone, so I suggested that we call Nine-One-One and report what was going on. He lifted the receiver and made the call. “We’re being shot at,” he said tersely.

“Okay, where are you located?” the operator asked.

“Uhh. . .we’re kind of. . .on Lincoln and 26th. No, 24th—” He lowered the handset and whispered to me, What’s the address here?

I happened to know it (it was on 20th), so I whispered it to him. He relayed it to the operator, who said that the police were on their way. We thanked her and hung up.

After that, the shooting stopped, but the five of us stayed crouched and hidden until we saw the flashing red and blue lights of the police cars a few minutes later. Enigma had come down from the roof and joined us in the studio again, although he returned by way of a different route than he exited. He jumped down from the ceiling with his shotgun slung over his shoulder, and he tucked it behind his back as he peeked through the front door’s mail slot. “You might want to put that away,” I told him, gesturing at the huge gun.

“Oh, yeah,” he said, and returned it to its hiding place somewhere. While he was putting it away, the police called for us to come out with our hands up, and we walked single-file toward the door. I was the first one outside, and I was faced with the horrifying sight of four handguns pointed at me. I was told to put my hands on the car, and I did so immediately. My bandmates were the next in line, and they followed suit. Enigma was behind them, and he sauntered over to the car next to us. Otis was the last one out of the building, and he was just as calm and cool as can be. “It’s okay,” he said to the police, “we called YOU.” The guns were lowered and the officers came over to talk with us.

We told them what happened, to the best of our ability, and there were lots of rounds of ammunition strewn about on the ground outside the studio, which the police said were from a .22-caliber rifle. We showed them the holes in the windows and curtains, and even found a few rounds embedded in the desk and shelves near where we’d all been standing only minutes before. It was pretty scary, and I’ll never forget that experience. Here’s a picture of the building today, thanks to GoogleMaps.

I love that there’s a derelict shopping cart in the photo. I could have easily cropped it out or chosen a different angle, but why? The cart seems so apropos, somehow. Also, there used to be a row of tall, beautiful trees across the street from that building, but they’ve been cut down in favor of. . .a lawn for whatever business is located there now.

Anyway. That’s neither here nor there.

The full story came out as Otis was telling his story to the police. Otis and Enigma had been hanging out at the studio earlier that afternoon, when a group of four or five young guys came to the door and said, “Hey, we’re looking for [Otis Redding].”

“Yeah, that’s me,” he replied.

“Oh, uhhhh—” they stammered, “we were looking for the [Otis Redding] who went to Hick High School.” [For the record, I had recently graduated from Hick High School, and there was no one named Otis Redding.]

“No, I go to Redneck High School.”

“Okay, sorry to bother you guys.” They walked to their car and drove off.

Otis stood in the doorway and watched them leave, then turned back and said to Enigma, “That was kinda weird. Don’tcha think that was weird?”

Enigma agreed that it WAS weird, and Otis decided to go out and get some food (and, I suspect, to try and hunt down the group of guys), which is around the time that my bandmates and I arrived, unaware of that conversation. In retrospect, it seems that Otis had stolen a girl from one or more of the guys in question, and they were out for revenge. They knew he was a singer, and that he was working with Enigma, so he was easy enough to track down. The rest of us would have been collateral damage.

That was one of the strangest moments of my life. It was certainly the only time I’ve been shot at, as far as I know.

The shooting incident also scared Enigma into moving his studio to a more secure location, and when the biggest music store in town had an open room in its basement, Enigma jumped at the chance to move in. That’s the starting point for the story I’ll tell you next time on. . .The Enigma Files. Or something like that.

To be continued.

When I was about eighteen years old, my friends and I had been writing songs for our first band.  We had about fifteen or twenty songs in various degrees of completion, and we’d been recording demo versions of them on a four-track cassette recorder.  There were lots of other short song ideas, some of which were done with our tongues firmly planted in our cheeks, but we definitely learned a lot about the recording process, and how to make instruments work together in a song.  In retrospect, it’s easy to see that that’s where I learned many of the musical skills I still use today.

What had started as a two-person group had morphed by then into a five-person group, and we felt it was time to make some professional recordings that reflected and showcased our new members.  I went to the phone book, called a studio that seemed promising, and booked some time.  The studio owner and I would turn out to be pretty good friends, but he was also one of the most enigmatic people I’ve ever known.  He has used multiple versions of his name throughout the years of his professional careers, so in the interest of anonymity, I’ll go ahead and refer to him as Enigma from now on.  He was always a jack-of-all-trades, and he dabbled in music, photography, and even acting.  In fact, here’s a recent profile picture from that online movie database.  I suspect this was taken on a film set, but that’s how he used to dress all the time, right down to the bandana.

He owned a small recording studio in CityOfAngels and had recently relocated to Yakima to take care of his aging mother, as well as to live on the cheap for a while.  I don’t mean to paint him in a negative light, or give you the impression that he was in any way a bad guy, because I don’t think he was.  He was just very mysterious, that’s all, and though we knew each other for years, I never felt like I knew him very well.  He seemed to have lots of secrets, and he liked to live off the grid.  He had inherited a bit of money, so he bought a bright red Toyota four-wheel-drive pickup, loaded his camping gear and his two white Siberian huskies, and floated between Yakima, AngelCity, EmeraldCity, and NearestLargeCanadianCity.  He kept his lifestyle simple, so that he could pack up and leave at a moment’s notice.  And he would, too.  He would disappear for months on end, and none of his friends would hear from him.  He’d turn up like nothing happened, with no explanation for his time away.  Everyone suspected that drugs were involved somehow, but he claimed not to use or sell them.  In fact, he was a very health-conscious guy and a long-time vegetarian, well before vegetarianism was de rigeur. I’m not saying that vegetarians aren’t capable of doing drugs—they certainly are—but I spent enough time with him, at all kinds of crazy hours, that I like to think I would’ve noticed anything out of the ordinary.  Who knows.

He met one of my college friends, a beautiful blonde girl, at a party one night, and asked her to be his ‘assistant’, since she already had a boyfriend.  She reluctantly agreed, and she answered phones and kept his books and all sorts of other thankless tasks, while constantly rebuffing his romantic advances.   After a few weeks of working for him, she asked me, “What does he do?  For money?  I don’t do much all day, and he hardly gets any business.  I don’t get it.  Does he sell drugs or something?”

“I don’t think so,” I replied, “but nobody really knows for sure.  He’s so hush-hush about his life.”

She gave me a conspiratorial smirk.  “I think I’m gonna try and find out.  You know, I’ll ‘get close’ to him and stuff.”   I thought the idea was hilariously diabolical, and told her so.  It just might work.  I told her I would do my part to pry information from him too, to the extent that I could, and we both pledged to share whatever we found out about him with the other person.  We both came up empty-handed, and he disappeared from town again.

Enigma was a bit of a conspiracy theorist, and a self-professed ‘huge fan’ of Area 51 and UFO’s and all that.  In fact, in the outskirts of Yakima is a top-secret NSA listening station which can be briefly glimpsed from the freeway up in the hills just north of town.

(photo taken from Creative Suggestions’ Flickr page)

Like I said, it’s a top-secret installation (one of many in the Yakima area), and if you try to drive out there, you’ll be stopped by soldiers in jeeps, with guns.  Enigma called them on the phone more than once, and when they asked who he was and why he was calling, he was shockingly candid.  “Well, I’m a big fan of secret government operations, and I’m an American taxpayer and a concerned citizen, so I was just hoping to find out what you guys are doing out there.”  As if they’re gonna roll out the red carpet for him and invite him on an all-access tour.  “No comment,” he was told, and the connection was terminated.  So he tried driving out there, with similar treatment from the soldiers in the jeeps.  “Turn around and go home,” they told him.

This entry is meant to provide context for the next couple of stories I’m going to tell about Enigma, each of which is fairly long in its own right, so I thought it best to break them up and give each one its due, rather than cram them both into one mammoth entry.  Besides, if I think of more stories, then adding them individually is definitely the way to go.  In order to tantalize you, I will say that one story involves an arson fire that destroyed the largest music store in town (Enigma’s second studio was located in the basement), and the other involves Enigma, my bandmates, myself, and a singer getting shot at.

To be continued.

It’s safe to say that I have been a Monty Python fanatic for most of my life, starting when I was about thirteen years old.  My brother and I, when we used to visit Dad, had a tiny black-and-white television in the bedroom we shared.  Dad would say goodnight to us and head upstairs to bed, and he expected us to do the same.  What he didn’t know, however, was that at eleven-thirty Monty Python’s Flying Circus came on, and so did other similar British ‘programmes’ like Doctor Who and The Hitch-Hiker’s Guide to the Galaxy.  We watched these shows at an almost but not entirely inaudible volume level, and parked ourselves on the floor, about a foot away from the tiny monochromatic screen.

When we were at Mom’s house in Yakima, which was the majority of the time, Flying Circus wasn’t available on TV there, so we went into a kind of withdrawal.  We rented the videos about a hundred million times, and I even made audio cassettes of the movies by laboriously holding a microphone up to the TV speaker so that I could constantly listen and memorize the dialogue between our viewings of the movies.  I was obsessed.

My obsession seemed only to get stronger and stronger, and it lasted well into my college years.  I would inject Monty Python quotations into pretty much every conversation, and since their range is so broad, it’s surprisingly easy to find quotes that are apropos to a myriad of subjects.  I used to pride myself on my knowledge of their trivia, and I was just enough of an a-hole that if someone dared make the egregious mistake of misquoting the Masters, I would actually correct the person.  The most commonly misquoted line I’ve encountered is one from the Black Knight scene in that movie about the search for a grail.  The Knight gets his arms and legs chopped off by King Arthur, but his fearlessly vigilant head and torso are still attempting to stop Arthur from crossing the bridge the Knight is guarding.

Despite massive blood loss and a complete lack of appendages, the indomitable Knight continues to hurl insults at King Arthur as Arthur and his servant walk across the hilariously puny bridge and go along their merry way.  “You yellow bastards,” the Knight yells over his shoulder.  “Come back and take what’s coming to you!  I’ll bite your legs off!“  The line, “I’ll bite your legs off” has somehow found its way into the public vernacular as, “I’ll cut your head off,” which A) doesn’t make sense, and B) isn’t funny.  That kind of thing used to drive me crazy, and I never hesitated to correct the offender.

All through high school and college, I had the reputation of being the Monty Python expert in my little social circle, but after a while, that kind of thing tends to get on peoples’ nerves.  I remember a couple of friends telling me in no uncertain terms that for once they would like to have a Python-free conversation.  If you’ve ever seen the movie Sliding Doors (and you should, it’s excellent), you may remember the fast-talking, witty Scottish guy Gwyneth Paltrow falls for.   He’s an obsessive MP quoter too, and there’s one scene in which he and she are at a dinner party, which he becomes the life of by quoting a huge chunk of the entire Spanish Inquisition scene, verbatim.  I couldn’t find the Sliding Doors clip, but I think a picture of the Inquisition will be enough to jog your memory.

So the guy is sitting there at the table quoting the entire scene.   Everyone is at rapt attention, hanging on his every word, laughing uproariously at the salient points.   I’ve been That Guy, and I’m here to tell you that real life doesn’t work that way.  People start to get annoyed if all you do is quote things, or if you don’t have anything of your own to add to a conversation.  They’ll quickly tire of talking with you and go talk with other people instead.  Funny how that works. . .and how long it took me to realize it.

There was a subsequent time in my life when I went through a rigorous training program I called (in my head, anyway) How To Be A Better Human.  Many people have had similar experiences; that sort of thing is one of the rites of passage toward being an adult.  I went through and found some of the areas of my life that weren’t working; there were quite a few at the time, I can assure you.  I’ll spare you the details for another time, but one of the habits I decided to break was the constant quoting of Monty Python.  I made a pact with myself that I would never do it again, since I had spent so many years doing it.  As a corollary, if I heard someone misquote a line or two, I was prepared to let that slide.  Life’s too short for that kind of pedantry.

Fast forward about fifteen years, and along comes Monty Python Day.  Everyone on Facebook is quoting and having a good time, and it IS fun.  But when I chime in (and I DO chime in!), I have to admit that I have slightly mixed feelings about doing it, because it means I’m breaking my pact.  I suppose after this many years of good behavior, I can ease up a little bit and just enjoy it.  Who among us doesn’t like levity?

As proof of my love of levity, I’m embedding one of my favorite episodes:  the one with the Lifeboat/Cannibalism/Undertaker sketches in it.  My all-time favorite Python animation sequence is the ‘Cannibalism’ section in this clip, starting around the 3:40 mark.

All this being said, there will always be a special place in my heart (and probably my DNA, too, quite frankly) for the Pythons. They unwittingly played a huge part in the formation of my personality, and I owe them a great debt of gratitude. I “always look on the bright side of life” because of them.

There I go, breaking my pact.  Oh well.  No use biting my legs off about it.

Like most kids, I spent the first decade or so of my musical life listening to my parents’ record collection, which consisted almost entirely of classical music, with the barest minimum of rock (The Beatles, Simon & Garfunkel, Mamas and the Papas, etc.) thrown in for good measure.  My dad’s rare ventures into so-called rock included easy listening stuff like the Carpenters, which made my brother and me cringe.  By the time I was about twelve years old, I finally discovered that I could have a radio in my room, and that radios had stations that could be changed.  I quickly found out about NPR, because they played a radio version of The Hitch-Hiker’s Guide to the Galaxy, which I still think is one of the funniest and most brilliant books ever written.  I also found out about heavy metal, which was popular at the time, and which changed my life forever.

There was a late-night (ten o’clock is late-night when you’re thirteen years old) show called Metal Shop, which introduced me to a whole new style of music that I would call my own for the next few years.  The show has a newish online presence, albeit without the original host, but it will give you an idea of the kind of bands they played.  The ones I that knocked me out early on were Dokken, Ratt and Twisted Sister, but I eagerly devoured most of what the show offered up each week.  My brother dutifully followed suit, and before long, we were listening to all the metal masters of the day.  I got my first electric guitar a month after my fifteenth birthday, and this is about all anyone saw of me for the next two years.

I’m happy to have a scanner, finally, so that pictures like the one of my brother in Kiss makeup can finally see the light of day.  I’m sure he’ll be thrilled about this.

I’m sharing it here because A) it’s priceless and I love it, and B) he’s standing in my doorway, so you can see that I had corkboard panels covering my wall, and the entire thing was covered with pictures cut out from magazines like Hit Parader and Circus.  From the top down, they are pictures of Aerosmith, Ratt, the Scorpions, Eddie Van Halen, and Kiss.  You’re welcome.

All of this presented a problem for our mom, who was becoming more and more conservative as the years progressed.  She was worried about the state of our souls, and she would give us books by Christian authors like Bob Larson, who was most famous for his theories about the supposed practice of the ‘backward masking’ of hidden Satanic messages that only appeared in songs when the songs were played in reverse.

Bob is still around and doing his thing, and his focus these days seems to have shifted from the evils of rock music to the exorcism of demons, but back in the day he would spend all his time decrying heavy metal and playing song after song while he did so.  He would compare the supposed innocence of the regular version of a song, but as soon as he played the record backwards, its subversive and insidious ‘real’ meaning was revealed.  One of the most famous examples was “Another One Bites the Dust” by Queen, which said, upon reversal, “Decide to smoke marijuana.”  Or DID it?

The best times on the show were when he would open up the phone lines and take callers.  He would argue passionately with the ones who found his claims ridiculous, and he would ‘save’ the ones who felt they needed to repent, right there on the air.  It made for hilarious and riveting radio.   When a caller would say, “But, Bob, [insert famous musician's name here] wears a cross all the time,” Bob would reply, “I bet he doesn’t even know what that cross means.”  Our favorite quotation of his was about the leather-and-studs clothing that Judas Priest introduced, which was quickly adopted by a lot of the other bands.  Bob made it very clear that “leather and studs are symbols of sado-masochism in the gay community.”

Who’d have thought at the time that Rob Halford of Judas Priest (in the picture above) would, in fact, come out of the closet and announce his homosexuality a decade or so later?  Who’d have thought that he spent much of his free time in gay S&M clubs, and that he would fashion the entire look for his band after the style of clothing that he’d seen and worn in the clubs?  The mind boggles.  All I can say is, when my brother and I were young, ideas like ‘the symbols of sado-masochism in the gay community’ would never have crossed our minds if it wasn’t for Bob Larson.  We liked the music enough that we didn’t really care what people looked like, with the possible exception of Vinnie Vincent, who looked even more feminine than most of the other glam rockers at the time, which put him up against some serious competition.

At some point, I’ll have to write a separate entry about Vinnie Vincent, because his is a very interesting story, and a bit of a rags-to-riches-and-back-to-rags one, too.  That’s neither here nor there, at least for the purposes of this story.

It was never our intention to emulate the rock-and-roll lifestyle; we were mostly well-adjusted kids who just wanted to listen to the music.  One day, however, our mom decided that she’d had enough.  She marched into my brother’s room, where he had a large poster of Poison on his wall.  The bass player, Bobby Dall (I didn’t even have to look that up!), had a cigarette dangling from the side of his mouth.

“That’s disgusting,” my mom sneered.  “Take it down.”

“What?” my brother asked.  “No way!”

“Yes,” she said firmly.  “Look at that; he’s got a cigarette hanging out of his mouth.”

“So?  You think I’m gonna start smoking just because he does?”

“Well. . .maybe.”

“Oh yeah, right.  Why do I have to take this down?  Come here.”  He ran into my room and pointed at a huge poster of Yngwie Malmsteen dressed in black, wearing a huge cross around his neck.  “Look,” he continued, sarcasm dripping from his tongue, throwing Bob Larson’s quotations back into Mom’s face.  “He’s wearing a cross. . .I bet he doesn’t know what that means! And all these guys are wearing leather and studs, which are the symbols of sado-masochism in the gay community!”

At that, Mom came bursting into my room, saying, “WHERE?”

I collapsed into laughter, and my brother was still consumed with rage, but after a few seconds he started to laugh too.  He wasn’t about to take down that poster, though, especially since I had an entire wall devoted to all the same people, and I certainly wasn’t going to take anything down.   Mom stood and stared at my wall, seemingly for the first time, and she didn’t like it one bit.  The symbols of sado-masochism in the gay community were everywhere, and so were the symbols of hedonism and satanism.

“I want this garbage taken down,” she said.

“No.  Why is this such a big deal all of a sudden?  These pictures have been up here for two years.”

“Well, take them down now.”

“No.  I like them.”

My brother and I won that particular argument.  I suspect that Mom realized it was a phase we were going through, and that we’d grow out of it soon enough.  Or maybe she just gave in.  Either way, we won, and the posters stayed up until we moved into our new house a couple of years later, by which time they had been replaced by world maps and posters of the Beatles.

In my experience, if you tell somebody they can’t have something, it only makes them want it more.  When I was in college, there was a pathetic demonstration of some sort (I don’t even remember what the issue was) that involved people waving signs that warned other people not to burn the flag.   One of my friends said, dryly, “I never wanted to burn a flag until they told me I couldn’t.”  Also, I worked at a record store during the time that 2 Live Krew’s Nasty As They Wanna Be came out.  That turd of an album sat untouched on the shelf for months at a time, and we couldn’t pay people to take a copy of it.  As soon as it got banned, however, we couldn’t order copies of it fast enough.  People who didn’t even like rap were buying them just to see what the fuss was about.

The point of all this, to the extent that there is one, is that kids turn out fine most of the time, and the music they listen to is the least of their problems.   Pick your battles, parents, and stay involved with their lives, but be careful not to make mountains out of molehills.  If you do, you’ll only make the kids more likely to rebel, which will exacerbate the issues you were trying to eliminate in the first place.

By way of a denouement, here’s a classic Bloom County cartoon I had on my wall back then, from when Apple introduced the first Macintosh computers.  I figured it would tie in nicely with this particular discussion.

I’d like to take a minute to tell you a story in the long string of heart-warming online tales that illustrates the power of the internet to connect people who have been estranged for decades.  It also illustrates the power of music, and the power of a certain kind of mental pathology, too.  You’ll see what I mean.

One of my cohorts from Iron Horse received an out-of-the-blue message on Facebook yesterday, at 1:30 in the morning, from someone he didn’t know, that said, “Are you [misspelled his last name] from [our high school]?  I remember you; we wrote a song in detention.’  He named the song, and correctly wrote out the chorus.  No, I’m not going to quote it here, because then it would be searchable, but he totally nailed it.

His profile was private, there was no picture, and he had a very unusual first name, but my friend didn’t recognize him in any way.  He had eleven online friends, all of whom shared his surname.  My friend responded, “Yeah, that was me.  I kinda remember writing that in detention. . .I changed the lyrics around, and my old band used to play that song.  Do you have a picture or something to jump-start my memory?  What years were you at [our high school]?”

The guy wrote back that he moved away from Yakima in 1987, and that he’s living in California now.  He’s of a certain nationality, and “try to get sum pic’s.”  (I took the liberty of cleaning up his grammar and punctuation before, but it was all typed lower-case, with slightly awkward punctuation.)  My friend accepted his friend request, and we’ll see where the story goes from here.  The two of us can’t help but wonder what the guy’s life is like, since he’s writing to someone he met only one time, in high school detention, twenty two years ago (!), and seems to be hoping to rekindle a friendship where it left off.   I mean, sure,  my friend is a great guy, and we were a pretty good band, but this guy doesn’t even know about the band, because he left town before my friend and I even started it.  Oh, AND.  I should mention that my friend was neither a miscreant nor a ne’er-do-well (I love those two terms, and I love it when I get the opportunity to use them), he was only in detention that one day, and never saw this guy ever again.  He’s not anyone I knew, either then or now, but I haven’t been able to find my yearbooks to investigate him.

Incidentally, speaking of the band, the community access TV station still plays our videos to this day, which completely mystifies my friend and me.  These are not new videos I’m referring to, either.  They were filmed and originally aired during that same time period, from 1987 to ’89, which is when the band was in existence.   We were just a bunch of high school kids, playing some songs that we wrote ourselves, and I can’t imagine why anyone watching now would even enjoy the songs these days, let alone find a bunch of kids from twenty years ago compelling.

Be all that as at may, I admit that it’s gratifying (in a weird way) that they do still play that stuff.  We had a good time making the videos, and like I said, we were a pretty decent band, but we had no delusions about our abilities or chances for stardom, either.  We were just a bunch of kids who had a band, like a million other kids in a million other bands.

Just for fun, here’s a picture from our very first show.  In fact, it could well be of the song in question, too, because I just now remembered that I actually sang the whole second verse of it (and I didn’t sing lead very often), so it seems very likely that this picture was taken during that song.

I just love the oversize mirrored sunglasses, and you can see that I was working hard on Mullet Number One as well.  Gee, I wonder if this was the 80′s?

Meanwhile, back to the topic at hand.

In the interest of full disclosure, and the interest of fairness to this guy, I’ve spent the better part of this month reconnecting with friends from years ago, one of whom had also been twenty years ago (she reads this blog, too, by the way), and it’s been really great for everyone involved.  You probably already knew that if you’re reading this, though, since I’ve written a bit about it lately.  More than once but fewer than three times, in fact, just in case you were counting.   So I have no business knocking the guy for trying.  As human beings, we all are basically social animals (some of us more than others) who are looking for connections wherever we can find them.  But the people I’m talking with are people with whom I had actual relationships and friendships.  They’re based on more than just a one-time meeting, in detention, more than half a lifetime ago.

The title of this entry, incidentally, comes from a book that our high school’s choir director had on the bookshelf in his office, and it seemed apropos to use it here.  Iron Horse shortened it to ‘Mental Game’ and we used it as the title of our album.  I mean cassette.  Oh, how dearly I wish I had a copy of that.  I have a lot of old videos, and tapes, and pictures, and notebooks, but I’m not sure I have that cassette cover floating around anywhere.  I’ll have to do some digging.

I can’t wait to see how this story unfolds.