new wrinkles in the brain

music, Portland, recording 1 Comment »

Every once in a while, you meet someone who you think may play a very important role in your life. I think I may have met one of those people today.

His name is Peter Vaughn Shaver, and he’s an entertainment lawyer who, in addition to working with many of the biggest names in the Portland music scene, gives occasional lectures and workshops telling people about their rights, and how they should take care of themselves if they want to have a career in the music business.

I spent two hours today getting my mind expanded, and in the near future, I’m going to book some time with him on my own to talk about production-related issues. I feel like I’m right on the cusp of some serious life-changing (and maybe even career-changing) events. I don’t know what they’ll be, and I don’t even want to guess, but it’s definitely real and I’ve been feeling it for a few months now. Growing pains, I think.

I’m definitely someone who believes that when you’re ready for them, opportunities that had previously gone unnoticed suddenly start to appear, often out of the blue.
They usually seem to manifest as people who are in a position to help you, or make you aware of things you weren’t aware of before.

That’s how I feel today, and it’s a very exciting feeling. Lots to think about.

Matt, Steph, 1900

beautiful, music, Portland, recording, true 1 Comment »

I have a whole bunch of things I’ve been wanting to write about, but they’re all very disparate and random, so I think I’ll have to settle for an update, at least for now.

Wednesday night I was invited to record some guitar parts and maybe other things too) by BassPlayerChris who plays in Breanna’s band. One of the other people he plays with is named Matt Vrba (yes, that’s spelled correctly; it’s pronounced VERB-uh), and Matt wrote a Christmas song, and he and the band were recording it. They needed some other textural instruments, so Chris called me. I ended up playing electric guitar, xylophone, and Casio keyboard on the song. It was a blast. First time I’d met Matt, but he’s a great guy. Can’t wait to hear how the song turns out. We recorded at Opal Studios with a guy named Kevin Hahn, and everything sounds really great. I’d recommend him without hesitation. It wouldn’t surprise me if our paths cross again.

Last night, Stephanie’s band played at the Hawthorne Theater. We played well, but it was kind of a tough gig. We opened for a well-known band from Canada, but I think we all kinda felt like we’d been jerked around, from the minute we walked in the door. The show was scheduled to start at 8:00, so we all arrived about 6:45. Well-Known Canadian Band was just starting their soundcheck. Someone came and told us that the show was scheduled to start at 9:00, but we’d been telling everybody to be there at 8:00. In addition to that, we were originally scheduled to play first, then a DJ would play for a half-hour or so, and finally Well-Known Canadian Band would play. This seemed like an odd choice of ‘flow’ for a show, so we asked if the DJ could play first. This was agreed to, but we still needed to have a soundcheck too. Fifteen minutes before the doors opened, Well-Known Canadian Band finished their soundcheck, and we were finally allowed to set up our instruments on stage. Luckily, their drummer invited DrummerDrew to use his drums, which cut down dramatically on set-up time, but we still had precious little time to test the vocals, acoustic and electric guitars, bass, and accordion. Plus, can I just take a minute to mention that the sound guy was a complete amateur? Thank you; because he was. Steph’s acoustic guitar kept feeding back during the show, and I didn’t even get to test my accordion’s microphone before the show started. These things are all pretty much unheard of in professional venues. In any decent-sized venue where there are multiple bands on the bill, each band usually gets a half hour or so to test everything, so that the sound crew knows what they’re dealing with and they can make the groups sound as good as possible.

All that aside, the venue was also very strange. It’s an all-ages place, so what they’ve done is divide the room in half; front and back. The front (by the stage) is all-ages, and the back half is the bar area. While we played, it was still early, so everyone was still in the bar area, which meant we were playing to a great big hardwood floor and a half-empty room, which felt a little bit insulting. As performers, all we have to gauge our performance is the audience. If we feel like they’re distant and unresponsive, it’s a bummer, because we either feel like they aren’t enjoying themselves, or that we’re not doing a good enough job.

So all that, combined with the showtime issues, made for a frustrating experience.

The good news about the show was that BoringFish was there. It was great to see her, even though conversation was a little difficult; shouting over a band isn’t the most conducive environment. But she’s great, and shouting at each other is infinitely better than not seeing each other at all.

The other good news about the show is that the band played well. DrummerDrew and BassistWill are really fun to play with, and they’re getting comfortable and stretching out in a great way. Last night was also the debut gig for my new guitar amp (not to mention the new amp stand that I bought while I was on my lunch break), and it sounded fantastic. So that was really nice, but the gig itself was still really frustrating, overall.

This week at work has been infinitely more stressful than usual, too. Normally there are two other people (or sometimes even three) who work in my department, but this week one of them had her grandmother die, and the other has a daughter who just had her first baby. So Wednesday, Thursday and today I was alone. It was totally crazy, and I’m totally exhausted, which is why I’m sitting here writing in my blog and doing laundry on a Friday night, despite a couple of offers to go out.

In other news, I’m going to a Music Business workshop tomorrow afternoon, to learn about contracts, distribution deals, production deals, and all that sort of stuff. There’s a guy here in town who’s an entertainment lawyer, and he’s given workshops and lectures about these issues regularly (but not often) for two or three years now. He’s a really great guy, and I’ve wanted to attend one of his workshops for quite a while. This comes at the perfect time, too, because I’ve had lots of good opportunities come my way recently, and I hope to be able to capitalize on them.

And now I’m going to get off the computer, because I’ve spent all day using one at work, and I’m starting to get sore. Plus, I bought a DVD today called “The Legend of 1900”, which my friend Leila told me I need to see. I stumbled upon a used copy at Everyday Music, so I decided to go ahead and buy it. I think I’m going to go watch it now.

I hope all’s well with you.

just for fun

cello, funny, music, pictures, Portland, recording, true 3 Comments »

Just for fun, I thought I’d post my list of musical instruments. What would be even more ridiculous is to put them all in the room with me and take a picture of them, but I’m not sure that’s even possible. The room’s not big enough to hold all of them, and have them out at the same time. Man, do I need a studio space!

[edit: I’m in the process of editing this entry, since it didn’t translate well when I made the switch from Blogger. Stay tuned for pictures and links.]

KEYBOARDS:
Kurzweil K2500XS synthesizer – Truly the king of beasts
Roland XP-50 synthesizer
Roland JX-3P synthesizer
Ensoniq ESQ-1 synthesizer
Yamaha DX7 synthesizer
Yamaha PS-20 synthesizer – these are so rare that there’s almost no info online.
Siel MK-610 synthesizer – I’d never even seen or heard of another one, ever.
Yamaha SHS-10 ‘keytar’ synthesizer
Casio SK-1 synthesizer
Casio SA-38 synthesizer
Casio SA-35 synthesizer
Suzuki Omnichord synthesizer – Such a little treasure, and surprisingly sophisticated too!
Mattel Synsonics drum machine
Korg X5DR synth module
E-mu Proteus FX synth module
Yamaha TX7 synth module
Sharper Image electronic surf/rain sound machine
Jaymar toy piano

GUITARS, AMPS, AND EFFECTS
1961 Guild Starfire III – there’s only one Elaine in all the world!
2005 Fender American Standard Telecaster
2001 Gibson Les Paul Studio
2003 Takamine EG-334SC acoustic/electric guitar
1996 Tobias Model T 5-string bass
2007 Hofner Colorama electric guitar
1962 Magnatone Custom 460 2×12 combo amp
1965 Silvertone 1482 1×12 combo amp
1994 Fender Blues Deluxe (tweed) 1×12 combo amp
Crate GX-15R 1×8 combo amp
Smokey mini-amplifier
1989 Fender M-80 1×12 combo amp
Ibanez TS9 Tube Screamer overdrive pedal – with 808 ‘brown’ modification
Boss SD-1 Super Overdrive pedal
Electro-Harmonix Big Muff distortion pedal – one of the really old ones
Boss OS-1 overdrive/distortion pedal
Boss CS-3 compression/sustainer pedal
Line 6 DM-4 Delay Modeler
Vox U847 wah pedal
Danelectro Hash Browns phaser pedal
Ebow Plus
Ernie Ball volume pedal
ART SGX-2000 multi-effects and X-15 pedalboard

ACOUSTIC INSTRUMENTS:
Crucianelli accordion, early ’60s
Ernst Heinrich Roth cello, 1963
Tama Rockstar 5-piece drum set
various percussion instruments (shakers, claves, tambourines, etc.)
Elburn piano
autoharp
Angel mini glockenspiel
Ludwig professional glockenspiel
handmade African djembe

this entry has a name

beautiful, blogging, recording, true No Comments »

Despite my melancholy-ness in the morning, yesterday and today were great.

In the afternoon, I recorded more accordion parts for the upcoming Susie Blue CD. We also tried some piano, glockenspiel, and acoustic guitar parts, but as usual, the unsung hero of the day was the Omnichord. That little thing has proven to be worth its weight in gold.

After I got home from the recording session, Joan and I went to see Dr. Bronner’s Magic Soapbox, and it was amazing. We were surprised by the amount of sadness and pain their family has endured throughout the generations, including the current one. Fantastic story; much more about family dynamics and spiritual worldviews than about soap, definitely.

From there we went to Hama Sushi, where neither of us had been before, but turned out to be a hidden treasure. Their sushi was incredibly affordable, yet still very well-made and tasty at the same time.

After we’d had our fill of sushi, we went to Ikea. It wasn’t Joan’s first time there, but it was mine. She bought a small bag full of cool things for like $35, but somehow I ended up empty-handed. I was really only there to look, since I’ve bought so much new stuff for my apartment already. I was impressed by their use of space in their designs. Many of the pieces are meant to cram as much functionality as possible into as small a space as possible. Oh, and they also have frozen yogurt cones. :)

This morning was S & W’s wedding, which was beautiful, personal, and incredibly touching. My favorite part was where they had each guest drop a rock into a container while they poured salt over it, creating a container full of salt and stones, which symbolized the friends’ good wishes and hopes for their future. It was really beautiful. I dropped in the biggest stone I could find. Oh, and during the reception, guess who caught the garter? That’s right; good ol’ Mr. T.

Oh yeah; in case you didn’t know, my nickname is Mr. T.

The rest of the day I spent on apartment-related stuff. I found out last night that what I’d bought last week and had been using as an incredibly uncomfortable, heavy, small comforter actually turned out to be something called a ‘featherbed’ which is supposed to go UNDERNEATH the mattress pad, and make your bed softer and more padded than it was before. Sweet! As if it was possible to love my bed any more. So I put the featherbed where it belonged, and got an actual comforter.

In addition to that, I got rid of my old CD shelf (it went to someone else in my building) and a bunch of books and stuff are going to Goodwill tomorrow morning. I also put the little shelves I got from Alyssa in my bedroom, and rearranged my books and CD’s appropriately, which means that the living room is now even more opened up, and the bedroom no longer has books, CD’s, and instruments strewn all over the floor. Quite a successful day, I’d say.

Now I’m having a glass of wine and watching a nature show about macaws.

Can’t wait to try out my new-and-even-better-than-it-was-before bed. If you’ve been reading my blogs since the MySpace days, you already know how much I was in love with it, and that I’ve already raved about it at great length, but now it should be even softer and more amazing. I’m not sure how that’s possible, but I can tell you that a third–or for me, it’s probably more like a fourth–of my life just got that much better.

new computer

beautiful, music, recording No Comments »

As part of my plan to help elevate my music career to the so-called ‘next’ level, I started doing a bunch of research into upgrading my recording software. Everything I looked at told me that my current computer either wasn’t compatible, or wasn’t supported, or was ‘not recommended’ for the upgrades of the software that I’ve been using. I couldn’t even load the software onto my old computer, because a DVD drive was required. If I went and got a DVD drive, I still wouldn’t be able to run the software because the computer was too slow.

Yeesh.

So I bit the bullet and headed down to Fry’s to get a new iMac today. I got the one with the Intel DuoCore chip and the 20-inch monitor. It’s really incredible, the way everything’s so self-contained, linked and even wireless. Computers–especially Macs–have come a long way in the last four years.

Summer’s the best time for biting metaphorical bullets, since there are more gigs (and more money), so I figured the time was right. Part Two of this process will involve taking advantage of Digidesign’s hardware trade-up policy to get new software and a new recording interface thingy.

Oh, and I should mention that the iMacs are SILENT. The G4 PowerMacs have notoriously loud fans. There are tons of web sites about how to replace or modify them. Mac users raised enough of a stink about them that eventually Apple sold these replacement fan kits that you could buy for twenty dollars and install yourself. At the time, however, I wasn’t in that kind of financial league, so I’ve been living with the loud fans this whole time. It’s funny to think about how much life can be improved by the systematic removal of annoyances.

Here’s to the removal of more!