beautiful, funny, sad & true

When I was in high school, one of my friends had a reputation for being a prankster. Sometimes I found myself guilty by association, and sometimes I was an actual accomplice. He went through a phase during which he liked to find pictures of nude or scantily clad women and post them in friends’ lockers or Pee-Chee folders, so that when the person would open the folder, he’d have a little surprise waiting for him.

He actually got in a bit of trouble when he did that to a girl in our choir. The girl had red hair, you see, and so did the girl in the picture, and the picture was exceptionally lewd, so the girl reported my friend to the teacher. By way of a reprimand, the teacher famously told him, “Now, I like to look at a Playboy every now and then—“, which still makes us laugh, even all these years later. Hindsight being twenty-twenty, my friend thinks that was a cruel thing to have done to the girl, and if he could do things differently, he would. He also has daughters now, and that tends to make people grow up real quick, as well as to make them much more sympathetic to the tribulations that girls often experience in school.

Back then, however, the picture prank was something he did somewhat regularly. Once, he went to the library and found a National Geographic magazine with a story about Tahiti, which was full of half-naked women, so he pulled out a page and kept it for his own nefarious purposes. We sat next to each other in choir class, which meant that we shared a music folder. On that fateful day, when we sang the song “The Cloths of Heaven,” I opened the music and found the picture of a half-naked Tahitian woman. Ha ha. Then, when we finished the song, we put the music and the picture back into the folder, never to be looked at again, since the two of us learned and memorized music faster than most people. I only mention that fact because it’s apropos to the story. We had the song memorized from that day on, so we didn’t use the music anymore.

Three or four months later, our choir drove to a college an hour or so away, in order to participate in a somewhat prestigious regional music festival. I don’t remember much about the trip, to be quite honest with you (it’s been almost twenty-five years now), but I do remember that we did well enough during the afternoon performance to qualify for the finals later that evening, and one of the songs we performed was “The Cloths of Heaven.” At some point between the afternoon show and the finals, a couple of people came up to my friend and me, saying, “That wasn’t funny, you guys,” or, “Not cool.” We were mystified, and had no idea what they were referring to.

That night at the finals, it was our choir’s turn to take the stage. We filed onto the risers in our robes and awaited the announcer, who walked out a moment later. “Interesting story about this next choir,” the announcer told the audience of several hundred. He explained to them that the judges got quite a shock when they opened the music for “The Cloths of Heaven” and found a picture of a half-naked Tahitian woman inside. Our choir director was unaware that this had happened, but he had no doubt about who was to blame for this disgrace. He glared furiously at the two of us as we realized what had happened and tried unsuccessfully to suppress our giggles. Our surprised choirmates turned to each other, saying, “Who did that?” and others turned to us and asked, “Was it you guys?” as the entire audience erupted into laughter.

Our director was really angry, and after our performance he pulled my friend and me aside into a rehearsal room. He was convinced that we had done it on purpose, to prank the festival. We had to explain to him that no, this was just a private thing, and that we hadn’t used the music for months. We’d long since forgotten about the Tahitian. Out of the seventy numbered music folders our choir used, each one of which contained one or two copies of “The Cloths of Heaven” (our folder had two, one for each of us), the teacher’s aide had unluckily grabbed OUR numbered folder, and THAT copy, to turn in to the judges. I don’t think the director believed us at first, but eventually he had to admit that the circumstances were pretty funny, and we got off with a Well, Don’t Do It Again.

Oh, and our choir won the competition, by the way, so there you go. Apparently, sex sells.

I just woke from a dream of the most epic and colorful proportions.  It took a long time to stitch together the details, but I hope I can convey the scale and beauty of it all.

* * * * * *

I’m walking on the street in what appears to be a smallish medieval English town.  A young woman walking in the opposite direction catches my eye, and after a few moments I decide to follow her and say something, so I turn around and head in her direction.  She turns down a narrow alley into a sort of marketplace that is teeming with people, and I lose her in the crowd.  As soon as I cross into the marketplace, I notice that I’m wearing different clothing, including a long, flowing robe and a multi-colored shirt underneath it.  Other people are dressed in a similarly elaborate fashion, but I seem to have the finest quality clothing.

Everyone’s clothing, while elaborate, is very much related to their job and social status.  The people selling their wares in the marketplace dress in a certain style, as do the customers and townspeople.  There is a film crew on the scene, and they too have their own distinctive style of clothing.  There are groups of teenage girls wearing garish clothing tinged with neon colors.  I’m the only one wearing a robe, however, and everyone seems to recognize me, as if I’m some sort of royalty.  This makes me very uncomfortable at first, and I try to protest, but then I decide to keep quiet and use the intimation of royalty to my advantage somehow, if I can, and to have some fun with it.

The film crew are filming the goings-on at the marketplace.  Nothing is staged or fictionalized; they are there to simply capture whatever happens, and on this particular day, they get very lucky indeed.

I see three friends of mine in the marketplace—J and B (longtime bandmates in real life), and S, a close female friend of many years—and I walk over to join them.  We start to explore the market, but a skirmish breaks out and we are separated.  The skirmish escalates and escalates until weapons are drawn.  They aren’t the usual weapons like guns or knives, either, but antiquated and homemade weapons, such as slingshots and catapults.

A handful of people come toward me and stand very close.  I can’t tell if they’re attempting to protect me or if they’re seeking protection for themselves by being near me.  Perhaps it’s both.  By this time, I’ve decided to play the role they seem to have cast me in.  A young man with his face painted like a fox tells me, somewhat nervously but determinedly, that he would very much like to meet me because he thinks I’m “perspicacious and very handsome.”  I laugh to myself, then shake his hand and say, “Thank you, brother.”

The fighting escalates again, and our little group is forced to dissipate.  I duck behind a low metal table that is used to prepare food.  A man with a gruesomely loose eyeball is standing by the table with a large stick in his right hand.  He’s not from our town, he’s from the small but fierce group of invaders who are attempting to take over the town by first conquering the market.  He raises his stick toward me, and tells me that he intends to take one of my eyes.  He looks me in the face for a long moment, and suddenly a look of recognition crosses his own countenance.  His expression changes, ever so slightly, and instead of hitting me with the stick, he hits the table.  Hard.  He hits it again and makes a strange hand gesture that tells me I should ‘play along’ with his little ruse.  The next time he slams the stick onto the table, I shout out as if in pain, so as to fool his cronies into thinking that he’s actually doing some damage to our side.  After a few more hits, he stops and motions for me to do the same.  I say to him, in a very deep and serious voice, “Brother, thank you.  You have done a very noble thing today.”  By way of a response, he scoffs and makes a sort of spitting motion with his head, which causes his loose eyeball to pop out and fly towards me.  I wish him good luck and bid him adieu.

An older gentleman appears just then, who also seems to recognize me, but not in the vaunted way everyone else does.  He seems to know me from my ‘normal’ life as a musician.  I greet him with a “Hello, brother,” and he shakes my hand warmly and genuinely.  An explosion happens very nearby, and the crowd scatters.  Panic and pandemonium prevail.  In the middle of the marketplace is a circular stage in the round, with a thick velvet curtain around it.  For some reason I decide that I’ll be safe if I can get there, so I run across the square to the stage, pull back the curtain a little, and crawl inside.  I find myself standing on a short wooden walkway, surrounded by velvet curtains, completely unable to see what’s happening outside.  I hear the sounds of fighting, but I feel very vulnerable in my hiding place.

The walkway I’m on suddenly begins to spin, and as it does, the curtain billows out enough that I can look for my various friends and acquaintances.  I see J and B (but not S), and jump off the metal walkway near where they’re sitting.  They and the people they’re sitting with appear to be high on something, and their little group is laughing hysterically, completely oblivious to the mayhem happening all around them.  I ask them if they’ve seen S, and J responds, “Oh. . .I thought she was with you!” which makes everyone else but me burst into uncontrollable fits of laughter.  I walk away in annoyance.

The fighting in the marketplace has reached its highest level of tension by now, and everyone is a state of utter panic.  Tables are turned over, there are fist fights and all manner of strange weapons and warfare are happening.  People are running through the market, beating up the vendors, and looting their booths.  Suddenly, two policemen from our town wearing black riot gear with the words ‘HAZARD TEAM’ emblazoned on the back appear out of nowhere and run into the middle of the meleé.  Everyone else stops, and we hear round after round of gunfire.  We realize that the presence of guns takes this skirmish to a whole new level, and we decide to get out of there.

Many other people and I run on the narrow cobblestone street that is the exit of the enclosed market area.  Just then, I see the old man sitting along the road by himself.  He appears to be begging for money and food.  I stop, hand him some money, and say to him, “Brother, you remember me.”  His face lights up in a gigantic smile, and I turn back to continue to run out of the market, waving over my shoulder to the old man as I leave.  As the group of us runs through the arch that designates the boundary of the market area, I take a look at the town for the first time.  It is one of the colorful and picturesque towns that I’ve ever encountered.  The beauty actually brings tears to my eyes.  I think to myself that I need to capture this scene somehow, and share it with other people.  I make broad painting motions with my arms, wishing I had a sketch pad so that I could draw the Tudor-style architecture and sloping rooflines of the village’s buildings, the entire sides of which were covered with brightly colored streamers and a myriad of tiny lights.  The town was having a celebration, and although I didn’t know what the occasion was, the town was mesmerizing to behold.  I also noticed that I was wearing my normal street clothes again, instead of the voluminous robe.

I kept walking and admiring the sights, but I soon found that the town got less and less beautiful the further I walked.  In fact, it started to look a bit like a movie set.  As I was entertaining that thought, a woman walked by and said something snide about me and the town, which brought my sense of diminishing wonder about the town to a swift end.

* * * * * *

Despite the fact that I was able to remember much more of this dream than I originally thought I would, there are a couple other scenes in the middle of it that are continuing to elude me.  There also was an actual ending scene.  If I do remember them, I’ll be sure to add them.

I cooked chicken last night, and beef a few nights ago.

That may not seem like big news, per se, but I was vegetarian for a long time, and some habits die hard, or are difficult to explain to other people.  I made the switch around fifteen years ago, after listening to a radio interview with Howard Lyman, a former rancher who had become an advocate against the egregious practices performed by the meat industry, and who eventually chose the ultimate middle-finger salute to the industry by becoming a vociferous vegetarian.  I found that compelling, as well as poetically hilarious, and decided to follow suit.

I gave up meat for probably seven or eight years, until I started spending lots of time with a woman (it always seems to come down to that, doesn’t it?) who was mostly vegetarian, but would occasionally eat teriyaki chicken or something, which always smelled amazing and renewed cravings that I’d forgotten or buried.  That choice worked for me.  Eating meat every once in a while could be okay, and was probably good for my body, too.  I started to incorporate meat back into my diet again, slowly.  I would sometimes order a burrito with chicken on it, or get curried chicken at a Thai restaurant, maybe one or two meals a week.  Maybe once or twice a year, I’d have a burger.  And not a veggie burger, either, but a BURGER burger.  I didn’t have to tell myself I couldn’t have any of that stuff—nothing makes you want something more than when you tell yourself you can’t have it—I just didn’t want it, and it took a while to develop a taste for it again.S

One of the interesting things about making the switch to a vegetarian diet and then back to an omnivorous one is that there are still habits that I find myself clinging to that are hard to explain, or simply don’t make any sense.  I have a hard time watching someone pull a turkey leg off and eat it, for example.  It kind of grosses me out to watch the tendons pull and everything.  For a long time, I wouldn’t cook meat in my kitchen, I would only order it when I was eating in a restaurant.  I have a couple of formerly vegetarian friends who are the same way, so I don’t feel like a freak, at least not in that respect. Ha ha.

My family members were kind of mystified by all of these changes.  It took years for them to understand my decision to become vegetarian, and once they finally got it, I gave them The Old Switcheroo and started eating meat again.   Many of my friends and family members are excellent cooks (a few are even at the professional level), and I would always try whatever they made, which led to some confusion on their part.  “Hey,” I heard more than once, “I thought you were a vegetarian, but you just ate pulled pork.”  “That’s right,” I would smile mischievously and say, “because you spent a whole day laboring over it and barbecuing it to perfection, and I’m sure it’s the most amazing pulled pork I’ll have in my whole life.  I’m not gonna miss out on that.”

These days, I pretty much eat everything—albeit in moderation—though I do try to get organic, free-range, naturally fed meat instead of chickens who’ve been crammed into tiny cages and force-fed ground chicken beaks and eyes and stuff.  It’s easy to make choices like that living in Portland, since the quality of restaurants here is famously high, and demand creates a good supply.  I’m sure if I lived in pretty much any part of the rest of the country, it would be much more difficult—not to mention expensive—to eat this way.  I should mention that this kind of thing is what the rest of the country finds quaint (if they’re being kind; ‘precious’, if they’re not) about Portland.  There’s a famous scene in the TV show “Portlandia” that takes concern for the welfare of animals (while still ultimately choosing to eat them, it should be noted) to new and funny heights.

I told you all that to tell you that I set a new standard this week, by cooking beef AND chicken in my kitchen.  It felt very strange and funny to be shopping in the meat section again.  As I was preparing dinner (stir-fried beef, green peppers, and green onions over Japanese noodles) I wrote on Twitter, “For the first time in years, I just stir-fried actual beef, in my actual home, to be actually eaten by the actual me.”  For the record, it was delicious.  What I had forgotten, however, is the extraordinary length of time that the smell of beef lingers in the places where it’s been cooked.  I went out the next day to run some errands, and when I got home, the bovine smell was still pretty overwhelming, and it stuck around until yesterday, which was three days after I cooked that meal.  I don’t imagine I’ll be doing that very often.

So there you have it.  I pretty much eat everything, and now I even cook it at home sometimes, too.  But I do still have some quirks to deal with.  Actually, I have rather a lot of quirks, but you’ll have to wait until some not-so-distant point in the future in order to read about them.

In the early 1980’s, the longest-lasting and most revolutionary new product was not the Rubik’s Cube, the tiny stuffed Garfield doll, or even MTV—it was the personal computer that would go on to change the world.  A closely related product that was also created around that time was the video arcade game. Home video games, like the Atari 2600, or even the quaintly archaic Pong, had existed for a number of years by then, but video arcades were a new and exciting phenomenon. Pinball was for old people; video games were for us kids.

The grocery stores near our house both had a couple games each, but the nearest serious video game parlors were Pizza World (which at the time of this entry is the current location of El Portón, an excellent Mexican restaurant) and Nob Hill Lanes, a bowling alley with a smaller but more unusual lineup of games, including a 2-player Ms. Pac-Man console, which was—and still remains—my all-time favorite video game.

I loved Pac-Man and Ms. Pac-Man so much that I bought the ‘strategy guide’ books about how to beat the games.  I even carried my little red portable cassette recorder to the arcade with me and recorded myself playing the games.  I took the tapes home and listened to them in headphones, imagining how the game play went, and trying to re-enact it in my little mind’s eye.

One day, we got a new refrigerator, and it came in a gigantic cardboard box. When it stood on end, it was the size of a video game, which gave me and my brother a brilliant idea: LET’S MAKE OUR OWN PAC-MAN MACHINE.  That’ll be great, we thought. Now, all our friends in the neighborhood won’t have to go to Pizza World or Nob Hill Lanes to play, they can just come to our front yard. And we’d be rolling in money!  Yakima wasn’t anything like Silicon Valley (either then OR now, quite frankly) and besides, I was ten and my brother was six, but at least we had imagination and determination.

The contraption we made is one of the things I really wish we taken at least one picture of.  It was absolutely ingenious, but surprisingly difficult to describe.  Follow me closely.  Here’s the type of original Pac-Man machine we were trying to emulate.

We stood the refrigerator box vertically, and then drew a Pac-Man maze screen in magic marker on the top half of the box. I think my brother drew the side panels, and we collaborated on the name plate that said, “PAC-MAN” on it. Directly underneath the ‘screen’, we placed a smaller cardboard apple box, which was for the joystick and coin slot. We cut a slot for people to insert quarters, and we sculpted a heap of clay into a joystick and plopped a golf ball on top of it.  Voila!

So now it looked good, but it didn’t do anything yet; we had to figure out how to bring it to life. We knew that one of us would have to be inside the box, but we struggled to come up with a workable solution. I think it was Mom who had the idea of using a box knife to cut a rectangular ‘track’ hole along a section of the maze we had drawn, and then we could stick a magic marker through the hole and tape a cardboard Pac-Man to the end of it to move him through the maze.  So that’s what we did.  The Pac-Man kept falling off the end of the pen, though, so it took a while to figure out how much electrical tape to stick him on with.  For the machine’s sound, I had all those cassettes I’d been making for weeks, so I put some batteries in the cassette player and brought it in the box with me.

We were ready to go.  We ran up and down the street, yelling, “Pac-Man!  Play Pac-Man!”  We cajoled everyone to give it a try, and somehow they all went along with it.  When someone put in a quarter, I would press the Play button on my tape recorder and the introductory song would play, followed by the sound of game play.  The person would grab the golf ball joystick and move it around as best they could, and I would move the marker with the Pac-Man on the end of it through the maze route, randomly.  Some people actually played this thing multiple times, but most realized right away that they weren’t actually able to control the Pac-Man at all, and that they’d spent the same amount as if they’d played the real game.  I think the box lasted only a few days, until the novelty wore off, both for us and for our friends.  But, like I said, I would dearly love to see a picture of that bizarre homemade contraption.

Since we’re on the subject of Pac-Man, once when my brother and I were at an arcade playing the game, a slightly younger kid we didn’t know (or maybe we did; I don’t quite remember) came up and said, very quickly and dramatically, “Wouldn’t it be cool if there was this maze?  And there was all your favorite food and you just couldn’t resist?  And then you CHASE it?  And then when you get there, you EAT it?  That’d be awesome.“  My brother and I stifled our laughter and kinda said, “Sure, yeah. . .awesome—” and turned back to our game.

Portland has a ‘vintage’ arcade down in Old Town, and every once in a while, I like nothing better than to plunk a couple of quarters down and spend an hour or so in an attempt to get the new high score on Ms. Pac-Man, and occasionally I even get it.  You’ll know if I do, by the way, since I like to use the pseudonym Mr. T, so if you see ‘MRT’ on the high score list, that might very well be me.  Be all that as it may, I was very glad when that arcade opened, because that meant that all those skills I’d honed as a kid weren’t going to lie dormant anymore.  I would hate to think I wasted all that time on frivolous endeavors.  I can rest assured, though, because there’s still something to be said for hand-eye coordination, and running through a maze with your favorite food that you just can’t resist.

There’s also something to be said for the old video games from the ‘golden age’ of the early to mid-1980’s.  Despite their simplicity, they were captivating in a way that more modern games absolutely are not.  If you  haven’t had the pleasure of experiencing them, I urge you to arm yourself with a handful of quarters (most of these games, if they’re still around, still only cost a quarter to play, amazingly) and give some of them a try.  I know you’ll be glad you did.

I don’t like to jam.  There, I said it.

Musicians are supposed to enjoy jamming, it seems, but I usually prefer to work on songs with structure and create ‘perfect’ parts for them.  I do love to improvise, however, and I always jump at the opportunity to do so, especially with other musicians who can also improvise well.  I don’t know how to explain the difference between a Jam and an Improvisation, but a jam always seems so much more lame somehow.  It also implies that an actual song will come from it, as opposed to an improvisation, which exists as its own separate entity and then disappears into the ether.

The perfect opportunity came when a guitarist friend of mine used to host a weekly Not-Jam at his place.  It was all a group of professionals from various bands, and whoever wasn’t gigging that night had an open-ended invitation to come down and play.  There were two drum sets, a bunch of guitars, amps, keyboards, saxophones, percussion instruments, a full PA system, and everything.  The idea was to bring your instrument and your drink (or whatever) of choice, and everyone would grab whatever they felt like playing, and we’d all see what happened.  It was very Zen, and I miss those nights.  I’ve considered starting my own improvisational group of acoustic instruments.  I’ll play cello or accordion, and invite other string players and brass players, and anyone else who plays an acoustic instrument.

About five years ago, I was really trying hard to make a living at recording, despite the fact that I just getting started, and wasn’t quite up to that task yet, but that’s neither here nor there.  I try to carefully pick and choose the people I work with, since you end up spending a good deal of time with people when you’re in the studio with them, and I have to really like them and their music in order to want to spend that much time with it.  I would hate to slog through day after day with a black metal band, for example.  Not that there’s anything inherently wrong with black metal—you have to be an amazing musician to play it—it’s just not my thing, and I’d prefer to focus on My Thing.

So anyway, five years ago.  A songwriter friend hooked me up with a friend of his who I’ll call G, not because he’s a gangsta, but because that’s his first initial.  I didn’t find his songs particularly compelling, but I decided to work with him as a favor to my friend.  Plus, I needed the money.  G was (and still is) a guy of a certain age, whose songs were more classic blues-rock than I gravitate towards.  He also has a sort of ‘Earth Mother’ folky side to him that doesn’t quite jive with me, either, but he seemed to like what I did to his songs in pre-production, so we decided to work together a bit.

I told him that my usual way of working was (and still is) to record him doing his thing, and then I usually play most or all of the other instruments around what he had done.  I told him that I play drums and bass and all kinds of other things, and he wanted to hear me do that so he could assess my skills.  Fair enough.  He also had a weekly jam session with his friends, and he invited me to join them at his friend’s beautiful house near Mount Tabor.  They had all the instruments already, so I wouldn’t need to bring anything if I didn’t want to.  It was an offer too good to refuse, so I took him up on it.  I also brought my accordion and five-string Tobias bass, just in case.  I put them in the trunk of my forty-shades-of-purple BMW 2002 and drove over there.

It was quite different from the improvised music night that I’d been attending at my friend’s place, in that A) these guys were amateurs rather than professionals, and B) I suspect that they used their jam session nights as excuses to escape from their families and regular lives, rather than to express themselves musically.  I could be wrong, but that’s the impression I strongly got.   It was also different in that everybody else sat around and got high before we started playing.  I don’t smoke, myself, and I’ve found that when some people are blissed out, they occasionally overestimate their playing abilities.  That started out as one of those nights.

There were five musicians in the band, on guitar, bass, drums, piano, and organ, so whenever there was an instrument that wasn’t being played, I’d jump on it.  Usually that meant piano, but at G’s request, I played the drums a little bit, too, and played the bass a little bit.  Each song would start as a cacophony and then sort of find its way into a key.  We eventually hit our stride, played extremely well, and actually managed to create some beautifully dynamic pieces of improvised music.  After four or five songs, we all felt compelled to slap high-fives and have a group hug, which was interesting and a bit funny.

At that point, we’d been playing for a couple of hours, so we put our instruments down and walked into the kitchen to eat some food and refill our glasses.  We talked about how great playing together felt, and how amazing it was when songs spontaneously come together, almost as a form of emergence.  Suddenly, the pianist got very quiet and told us that he had a confession to make.  He had recently (maybe the week before) been diagnosed with Parkinson’s Disease, and he was gradually losing the use of his hands.  As a jazz pianist, this was particularly devastating, as I’m sure you can imagine.  This gave the evening an entirely new focus and gravitas, and Pianist told us how he would hear something in his head and attempt to play it, but his fingers were simply unable to comply.  He made a request that during our next song we go ‘all out’, in order that he could test the limits of his playing and manual dexterity.

I played my bass, and each of the other guys assumed their various roles, with the bassist switching between tambourine and percussion.  The pianist started the song as an atonal jazz ballad, and we all followed suit.  After a few minutes of atonality, my mind started to wander.  The good thing about playing bass is that you can really use it to lead and set the tone for the entire rest of the band, forcing them all to change structure if need be.  They kinda have to follow you if you’re going a certain direction.  I gradually morphed it in a very tonal, almost classical direction, and that, combined with the jazz piano, became really beautiful.  It was as if we all were creating a simultaneous homage to Pianist by weaving a colorful musical tapestry for him.  The song climaxed and wound down with a simple scale in B major, which gave everything a depth, and a certain positive overtone.  It was transcendent.

By then, it was ten o’clock, so we packed up all of the instruments and went our separate ways.  We seemed to be walking on eggshells.  What do you say when someone drops a bombshell like that?  ‘I’m sorry’ seems insulting, or anti-climactic, or insufficient at the very least.  Plus, it was the first (and last) time I ever saw any of those guys, so I was really at a loss.  I’m sure I stammered something tactful like, “Um, nice to meet you guys.  Good luck with the Parkinson’s—?”

As I was backing my ancient BMW out of the driveway, it slipped out of reverse gear, like it did occasionally.  It made a huge, metallic CLUNK sound which stopped the car in the middle of the street.  It sounded and felt as if I’d backed into something in the road, so I got out and looked behind me.  I saw nothing, so I got back in and drove home, albeit a bit nervously.  That was one of the most fun and also one of the strangest nights of music that I’ve ever experienced.

I haven’t done any improvisational nights lately, but I still think of that one.   I hope that Pianist is okay, and still playing.  I just looked up G, and he’s still out there playing.  And his music still doesn’t really do much for me.  He decided to record his album at his house, and spend the money to buy microphones and all that for himself.  I certainly can’t fault him for that, since that’s how I got started, but I do think that he’s the kind of person who could benefit from some editing and some outside influences.

And now I need to grab the cello, pack up the car and head over to tonight’s gig, but I’m glad to have been able to finally tell this story.  I really do hope that Pianist is okay, and that his Parkinson’s is under control.  I also want the best for G, and I hope that his career is going well.  I’ll keep tabs on him from a distance.  Who knows; maybe he’s doing the same for me.