beautiful, funny, sad & true

Yeah, that last one was funny and everything, but now it’s time for a more ‘real’ entry.

I’ve been feeling a little strange all week; a little bit lonely, a little bit sad, and a little bit exhausted from work. I’ve even thought about writing to Kelly again lately, but I still don’t think that’s a good thing for me to do, so I’ve resisted that impulse.

In a way, I’ve been so busy these last few weeks that it sort of kept me from feeling the loss of that relationship, but now that my schedule has eased up a bit, I’ve had more time to feel it, and I’m not gonna lie; it’s been hard lately. Luckily, I have friends I can call to talk about it with, and who understand. But there are still some quiet times when I find myself missing her.

Tonight I went to another play reading with Todd Sabel and his theater group. The play they read was called “Dirty Water”, and I took my accordion and provided improvised background music and sound effects (WATER sound effects, no less. Who knew?). The play was written a couple of years ago by a local playwright named Devon Granmo for his college thesis. Hilarious and strange play, and even though it’s been performed before, it seems like it might actually be a work in progress. The playwright was there at the reading with us, which was really interesting. He stopped the group once or twice during the reading to say, “Oops. . .I forgot to change this part. Start HERE and then go BACK and start at this OTHER section.” He also asked for feedback from the group afterwards. If some pictures float up to the surface–and I have a feeling they will–I’ll be sure to post them here.

Oh yeah. . .there was something else interesting that happened at the reading. There was a woman there who wasn’t at the last reading I was at, who apparently plays the cello. When Todd introduced us, she asked how I found out about the theater group, and I told her Todd invited me to come play at one of them a month ago, and that I played cello the last time. She said, “You play cello? How would you feel about playing with twelve other cellists?” “You mean the Portland Cello Project?” I asked. “I’d LOVE to. I’m friends with Skip and a couple other people, and I’d love to come play.” “Well, they’re looking for new members; you should come down.” “Count me in, DEFINITELY.” The Portland Cello Project, if you haven’t seen them before, is an amazing group. I’ve been wanting to go and play with them for almost a year now, but so far I’ve been too busy with the bands I’m already in. Now that it’s fall and I have a little more free time, I’m going to take that opportunity, for sure. Groups like PCP are the reason I started playing cello in the first place.

The rest of the week has been pretty uneventful, quite frankly. I’ve spent much more time than usual at home, cleaning my apartment (which was long overdue) and trying to relax and deal with the hundreds of different feelings I’ve been feeling lately.

The moral of the story is that I think I could use another hug.

Every once in a while, you meet someone who you think may play a very important role in your life. I think I may have met one of those people today.

His name is Peter Vaughn Shaver, and he’s an entertainment lawyer who, in addition to working with many of the biggest names in the Portland music scene, gives occasional lectures and workshops telling people about their rights, and how they should take care of themselves if they want to have a career in the music business.

I spent two hours today getting my mind expanded, and in the near future, I’m going to book some time with him on my own to talk about production-related issues. I feel like I’m right on the cusp of some serious life-changing (and maybe even career-changing) events. I don’t know what they’ll be, and I don’t even want to guess, but it’s definitely real and I’ve been feeling it for a few months now. Growing pains, I think.

I’m definitely someone who believes that when you’re ready for them, opportunities that had previously gone unnoticed suddenly start to appear, often out of the blue.
They usually seem to manifest as people who are in a position to help you, or make you aware of things you weren’t aware of before.

That’s how I feel today, and it’s a very exciting feeling. Lots to think about.

I have a whole bunch of things I’ve been wanting to write about, but they’re all very disparate and random, so I think I’ll have to settle for an update, at least for now.

Wednesday night I was invited to record some guitar parts and maybe other things too) by BassPlayerChris who plays in Breanna’s band. One of the other people he plays with is named Matt Vrba (yes, that’s spelled correctly; it’s pronounced VERB-uh), and Matt wrote a Christmas song, and he and the band were recording it. They needed some other textural instruments, so Chris called me. I ended up playing electric guitar, xylophone, and Casio keyboard on the song. It was a blast. First time I’d met Matt, but he’s a great guy. Can’t wait to hear how the song turns out. We recorded at Opal Studios with a guy named Kevin Hahn, and everything sounds really great. I’d recommend him without hesitation. It wouldn’t surprise me if our paths cross again.

Last night, Stephanie’s band played at the Hawthorne Theater. We played well, but it was kind of a tough gig. We opened for a well-known band from Canada, but I think we all kinda felt like we’d been jerked around, from the minute we walked in the door. The show was scheduled to start at 8:00, so we all arrived about 6:45. Well-Known Canadian Band was just starting their soundcheck. Someone came and told us that the show was scheduled to start at 9:00, but we’d been telling everybody to be there at 8:00. In addition to that, we were originally scheduled to play first, then a DJ would play for a half-hour or so, and finally Well-Known Canadian Band would play. This seemed like an odd choice of ‘flow’ for a show, so we asked if the DJ could play first. This was agreed to, but we still needed to have a soundcheck too. Fifteen minutes before the doors opened, Well-Known Canadian Band finished their soundcheck, and we were finally allowed to set up our instruments on stage. Luckily, their drummer invited DrummerDrew to use his drums, which cut down dramatically on set-up time, but we still had precious little time to test the vocals, acoustic and electric guitars, bass, and accordion. Plus, can I just take a minute to mention that the sound guy was a complete amateur? Thank you; because he was. Steph’s acoustic guitar kept feeding back during the show, and I didn’t even get to test my accordion’s microphone before the show started. These things are all pretty much unheard of in professional venues. In any decent-sized venue where there are multiple bands on the bill, each band usually gets a half hour or so to test everything, so that the sound crew knows what they’re dealing with and they can make the groups sound as good as possible.

All that aside, the venue was also very strange. It’s an all-ages place, so what they’ve done is divide the room in half; front and back. The front (by the stage) is all-ages, and the back half is the bar area. While we played, it was still early, so everyone was still in the bar area, which meant we were playing to a great big hardwood floor and a half-empty room, which felt a little bit insulting. As performers, all we have to gauge our performance is the audience. If we feel like they’re distant and unresponsive, it’s a bummer, because we either feel like they aren’t enjoying themselves, or that we’re not doing a good enough job.

So all that, combined with the showtime issues, made for a frustrating experience.

The good news about the show was that BoringFish was there. It was great to see her, even though conversation was a little difficult; shouting over a band isn’t the most conducive environment. But she’s great, and shouting at each other is infinitely better than not seeing each other at all.

The other good news about the show is that the band played well. DrummerDrew and BassistWill are really fun to play with, and they’re getting comfortable and stretching out in a great way. Last night was also the debut gig for my new guitar amp (not to mention the new amp stand that I bought while I was on my lunch break), and it sounded fantastic. So that was really nice, but the gig itself was still really frustrating, overall.

This week at work has been infinitely more stressful than usual, too. Normally there are two other people (or sometimes even three) who work in my department, but this week one of them had her grandmother die, and the other has a daughter who just had her first baby. So Wednesday, Thursday and today I was alone. It was totally crazy, and I’m totally exhausted, which is why I’m sitting here writing in my blog and doing laundry on a Friday night, despite a couple of offers to go out.

In other news, I’m going to a Music Business workshop tomorrow afternoon, to learn about contracts, distribution deals, production deals, and all that sort of stuff. There’s a guy here in town who’s an entertainment lawyer, and he’s given workshops and lectures about these issues regularly (but not often) for two or three years now. He’s a really great guy, and I’ve wanted to attend one of his workshops for quite a while. This comes at the perfect time, too, because I’ve had lots of good opportunities come my way recently, and I hope to be able to capitalize on them.

And now I’m going to get off the computer, because I’ve spent all day using one at work, and I’m starting to get sore. Plus, I bought a DVD today called “The Legend of 1900”, which my friend Leila told me I need to see. I stumbled upon a used copy at Everyday Music, so I decided to go ahead and buy it. I think I’m going to go watch it now.

I hope all’s well with you.

Wow, what a weekend. FINALLY I have a few minutes to fill you in.

Friday’s gig at the Blue Pepper in Salem with Breanna was great, of course. It was just me and her, and I played cello. Mark (the guy who books shows at the venue) joined us on acoustic guitar for a few songs. It was really nice to see our Salem friends again. Say what you will about Salem’s drug problems and crime problems, but all I know of the town is the Blue Pepper. Love it love it.

Saturday I sorta dinked around in the morning, doing laundry and stuff like that, until 5:00, when I had to get to the Doug Fir for TheStephBand’s soundcheck. We waited until almost 6:00, while the main band did their soundcheck, then we finally got to do ours. The show didn’t start until 9:00, so we all went our separate ways afterwards. I went home and relaxed for a while, had some sushi and took my time heading back. The show was great; quite possibly one of our best this year. Everything sounded awesome, and all our shows lately have made us really comfortable playing together. DrummerDrew and BassistWill are really becoming familiar with Steph’s music by now, and it’s nice to see them both stretching out inside the songs. Another fun thing about the show was that I got to meet a blogging friend for the first time. Elizabeth (you know her from Lizzy Dishes Portland fame) was there, and it was really nice to meet her in person. (Hey, Elizabeth!) Saussha and Conny came too, and so did Shelby. Good times were had by everybody, but I think I had the best time of all.

Sunday morning, Saussha and Conny and I went on a little picture expedition. We started down in Southeast Portland, looking for urban decay. There was plenty of urban, but not so much in the way of decay, so we headed up toward the industrial part of town underneath the Fremont Bridge. We each got quite a few pictures, but I haven’t uploaded mine from my camera yet–I’m doing that today–so I’ll have to share some with you as soon as I do. Saussha was talking about making a Flickr page, so you may get a real treat, and be able to see pictures taken by all three of us.
We spent a good amount of time out there, then started to get hungry, so we drove back across the railroad tracks to have a wee bit o’ lunch at the Widmer brewery. I wouldn’t say it was spectacular, but it was decent enough. Then I had to get to the Mississippi Pizza Pub for another cello gig with Breanna. This time ViolinistKarli was there, and that alone catapulted us to the Next Level, for sure. When she would do melodies, that freed me up to do nice counterpoint bass lines and harmonies, in an improvised classical style. The thing I love most about playing in Breanna’s band is that not only are we an amazing and textured rock band, but we can then turn on a dime (“I’ll give you nine cents change.”) and play in a classical ‘chamber pop’ style, and have even more fun because that’s such an unusual thing. LOVEITLOVEITLOVEITLOVEITLOVEIT.
Wayne (who produced her CD) was there last night too, and he joined us on glockenspiel and harmony vocals for a handful of the songs. So nice to see him and his wife Meg again. It’s the first time I’ve gotten to see Meg since all of us were in Yakima to play with Chad Bault two or three months ago. We (Breanna, her friend Jeff, me, Wayne, Meg, and Cris and Manda from the other band who played with us) went to the Crow Bar afterwards to talk until the wee hours. And yes, I brought my cello inside the bar with me. No way I’m leaving it in the car to be stolen.

Incidentally, that thing about stopping on a dime (“I’ll give you nine cents change”) is a reference I slipped in here for Alyssa’s benefit. If you too are wise to the ways of the Cos, feel free to leave a comment.

Today I have NOTHING to do, and I’m very happy about that. All I know is that at this moment I have nowhere that I need to be, and I can spend the entire day at my leisure. After so many days in a row of gigs and driving and trips and conversations and cars full of instruments, it’s nice to just sit here on a sunny day and read. Or write. Or listen to CryingNeighborBaby. Or best of all, I could just sit and reminisce about how fun this five-day weekend has been.

Just for fun, I thought I’d post my list of musical instruments. What would be even more ridiculous is to put them all in the room with me and take a picture of them, but I’m not sure that’s even possible. The room’s not big enough to hold all of them, and have them out at the same time. Man, do I need a studio space!

[edit: I’m in the process of editing this entry, since it didn’t translate well when I made the switch from Blogger. Stay tuned for pictures and links.]

KEYBOARDS:
Kurzweil K2500XS synthesizer – Truly the king of beasts
Roland XP-50 synthesizer
Roland JX-3P synthesizer
Ensoniq ESQ-1 synthesizer
Yamaha DX7 synthesizer
Yamaha PS-20 synthesizer – these are so rare that there’s almost no info online.
Siel MK-610 synthesizer – I’d never even seen or heard of another one, ever.
Yamaha SHS-10 ‘keytar’ synthesizer
Casio SK-1 synthesizer
Casio SA-38 synthesizer
Casio SA-35 synthesizer
Suzuki Omnichord synthesizer – Such a little treasure, and surprisingly sophisticated too!
Mattel Synsonics drum machine
Korg X5DR synth module
E-mu Proteus FX synth module
Yamaha TX7 synth module
Sharper Image electronic surf/rain sound machine
Jaymar toy piano

GUITARS, AMPS, AND EFFECTS
1961 Guild Starfire III – there’s only one Elaine in all the world!
2005 Fender American Standard Telecaster
2001 Gibson Les Paul Studio
2003 Takamine EG-334SC acoustic/electric guitar
1996 Tobias Model T 5-string bass
2007 Hofner Colorama electric guitar
1962 Magnatone Custom 460 2×12 combo amp
1965 Silvertone 1482 1×12 combo amp
1994 Fender Blues Deluxe (tweed) 1×12 combo amp
Crate GX-15R 1×8 combo amp
Smokey mini-amplifier
1989 Fender M-80 1×12 combo amp
Ibanez TS9 Tube Screamer overdrive pedal – with 808 ‘brown’ modification
Boss SD-1 Super Overdrive pedal
Electro-Harmonix Big Muff distortion pedal – one of the really old ones
Boss OS-1 overdrive/distortion pedal
Boss CS-3 compression/sustainer pedal
Line 6 DM-4 Delay Modeler
Vox U847 wah pedal
Danelectro Hash Browns phaser pedal
Ebow Plus
Ernie Ball volume pedal
ART SGX-2000 multi-effects and X-15 pedalboard

ACOUSTIC INSTRUMENTS:
Crucianelli accordion, early ’60s
Ernst Heinrich Roth cello, 1963
Tama Rockstar 5-piece drum set
various percussion instruments (shakers, claves, tambourines, etc.)
Elburn piano
autoharp
Angel mini glockenspiel
Ludwig professional glockenspiel
handmade African djembe