Well, huzzah.

Beautiful, Funny, Sad & True is celebrating its fifth anniversary today, and I’d like to take the opportunity to thank you for sticking around and reading.  I realize that updates and stories have been a little sporadic around here lately; I’m working on rectifying that situation.  Five years is a long time to keep a blog.  Actually, including the previous incarnations of BFS&T on Blogger and that other social network, it’s been more like eight years, which is a bit mind-boggling.

Here are some updates I can provide you with, and I’ll divide them into the quadrants that create the name of this place.

beautiful:  My friend and I started writing and recording an album together a year ago, and it’s getting very close to completion.  We’re aiming for a release date this spring.  We’re thrilled to finally have a bassist (who also plays a number of other instruments) on board with us, and an excellent drummer is in the works as well.  Exciting times!

funny:  I could split hairs and wonder if this means funny/strange or funny/ha-ha, but either way I’m at a bit of a loss on this one.   Well, okay, here’s a little joke.

JOHN:  Ask me if I’m a truck.

PAUL:  Are you a truck?

JOHN:  No.

Ha ha.  Don’t worry if you don’t get it; there’s really nothing to get.  It’s just absurdist, and you either like it or you don’t.  I happen to like it.

sad:  Holidays are tough.  I tend to get the blues around this time every year.  It’s not seasonal affect disorder, I just find myself ruminating a lot about the things in my life (or even in myself) that are missing or lacking.  That’s about all I’ll say on the subject here, but I thought I’d let you know that’s what I’m dealing with at the moment.

true:  I went to visit my dad a couple of weeks ago, and came home with two big boxes of LP records.  Almost all of them are classical, and many are the same ones that I grew up listening to.  Some I know by heart, like the Glenn Gould piano recordings and Bach organ recordings, while others are ones I wasn’t familiar with back then but am totally interested in now.  There were a few surprises in there, too, like Johnny Cash’s greatest hits (from the 1960′s! and a couple of Moody Blues and Chet Atkins records that I doubt have ever been listened to.  I certainly don’t remember hearing that stuff in our house when I was growing up.  Certainly am glad to have them now, though.  I’m totally looking forward to plowing through all of them and giving them the attention they deserve.

So that’s what’s happening on this Very Special day.  Here’s to another five years!

Musicians are supposed to enjoy jamming, it seems, but I usually prefer to work on songs with structure and create ‘perfect’ parts for them.  I do love to improvise, however, and I always jump at the opportunity to do so, especially with other musicians who can also improvise well.  I don’t know how to explain the difference between a Jam and an Improvisation, but a jam always seems so much more lame somehow.  It also implies that an actual song will come from it, as opposed to an improvisation, which exists as its own separate entity and then disappears into the ether.

The perfect opportunity came when a guitarist friend of mine used to host a weekly Not-Jam at his place.  It was all a group of professionals from various bands, and whoever wasn’t gigging that night had an open-ended invitation to come down and play.  There were two drum sets, a bunch of guitars, amps, keyboards, saxophones, percussion instruments, a full PA system, and everything.  The idea was to bring your instrument and your drink (or whatever) of choice, and everyone would grab whatever they felt like playing, and we’d all see what happened.  It was very Zen, and I miss those nights.  I’ve considered starting my own improvisational group of acoustic instruments.  I’ll play cello or accordion, and invite other string players and brass players, and anyone else who plays an acoustic instrument.

About five years ago, I was really trying hard to make a living at recording, despite the fact that I just getting started, and wasn’t quite up to that task yet, but that’s neither here nor there.  I try to carefully pick and choose the people I work with, since you end up spending a good deal of time with people when you’re in the studio with them, and I have to really like them and their music in order to want to spend that much time with it.  I would hate to slog through day after day with a black metal band, for example.  Not that there’s anything inherently wrong with black metal—you have to be an amazing musician to play it—it’s just not my thing, and I’d prefer to focus on My Thing.

So anyway, five years ago.  A songwriter friend hooked me up with a friend of his who I’ll call G, not because he’s a gangsta, but because that’s his first initial.  I didn’t find his songs particularly compelling, but I decided to work with him as a favor to my friend.  Plus, I needed the money.  G was (and still is) a guy of a certain age, whose songs were more classic blues-rock than I gravitate towards.  He also has a sort of ‘Earth Mother’ folky side to him that doesn’t quite jive with me, either, but he seemed to like what I did to his songs in pre-production, so we decided to work together a bit.

I told him that my usual way of working was (and still is) to record him doing his thing, and then I usually play most or all of the other instruments around what he had done.  I told him that I play drums and bass and all kinds of other things, and he wanted to hear me do that so he could assess my skills.  Fair enough.  He also had a weekly jam session with his friends, and he invited me to join them at his friend’s beautiful house near Mount Tabor.  They had all the instruments already, so I wouldn’t need to bring anything if I didn’t want to.  It was an offer too good to refuse, so I took him up on it.  I also brought my accordion and five-string Tobias bass, just in case.  I put them in the trunk of my forty-shades-of-purple BMW 2002 and drove over there.

It was quite different from the improvised music night that I’d been attending at my friend’s place, in that A) these guys were amateurs rather than professionals, and B) I suspect that they used their jam session nights as excuses to escape from their families and regular lives, rather than to express themselves musically.  I could be wrong, but that’s the impression I strongly got.   It was also different in that everybody else sat around and got high before we started playing.  I don’t smoke, myself, and I’ve found that when some people are blissed out, they occasionally overestimate their playing abilities.  That started out as one of those nights.

There were five musicians in the band, on guitar, bass, drums, piano, and organ, so whenever there was an instrument that wasn’t being played, I’d jump on it.  Usually that meant piano, but at G’s request, I played the drums a little bit, too, and played the bass a little bit.  Each song would start as a cacophony and then sort of find its way into a key.  We eventually hit our stride, played extremely well, and actually managed to create some beautifully dynamic pieces of improvised music.  After four or five songs, we all felt compelled to slap high-fives and have a group hug, which was interesting and a bit funny.

At that point, we’d been playing for a couple of hours, so we put our instruments down and walked into the kitchen to eat some food and refill our glasses.  We talked about how great playing together felt, and how amazing it was when songs spontaneously come together, almost as a form of emergence.  Suddenly, the pianist got very quiet and told us that he had a confession to make.  He had recently (maybe the week before) been diagnosed with Parkinson’s Disease, and he was gradually losing the use of his hands.  As a jazz pianist, this was particularly devastating, as I’m sure you can imagine.  This gave the evening an entirely new focus and gravitas, and Pianist told us how he would hear something in his head and attempt to play it, but his fingers were simply unable to comply.  He made a request that during our next song we go ‘all out’, in order that he could test the limits of his playing and manual dexterity.

I played my bass, and each of the other guys assumed their various roles, with the bassist switching between tambourine and percussion.  The pianist started the song as an atonal jazz ballad, and we all followed suit.  After a few minutes of atonality, my mind started to wander.  The good thing about playing bass is that you can really use it to lead and set the tone for the entire rest of the band, forcing them all to change structure if need be.  They kinda have to follow you if you’re going a certain direction.  I gradually morphed it in a very tonal, almost classical direction, and that, combined with the jazz piano, became really beautiful.  It was as if we all were creating a simultaneous homage to Pianist by weaving a colorful musical tapestry for him.  The song climaxed and wound down with a simple scale in B major, which gave everything a depth, and a certain positive overtone.  It was transcendent.

By then, it was ten o’clock, so we packed up all of the instruments and went our separate ways.  We seemed to be walking on eggshells.  What do you say when someone drops a bombshell like that?  ‘I’m sorry’ seems insulting, or anti-climactic, or insufficient at the very least.  Plus, it was the first (and last) time I ever saw any of those guys, so I was really at a loss.  I’m sure I stammered something tactful like, “Um, nice to meet you guys.  Good luck with the Parkinson’s—?”

As I was backing my ancient BMW out of the driveway, it slipped out of reverse gear, like it did occasionally.  It made a huge, metallic CLUNK sound which stopped the car in the middle of the street.  It sounded and felt as if I’d backed into something in the road, so I got out and looked behind me.  I saw nothing, so I got back in and drove home, albeit a bit nervously.  That was one of the most fun and also one of the strangest nights of music that I’ve ever experienced.

I haven’t done any improvisational nights lately, but I still think of that one.   I hope that Pianist is okay, and still playing.  I just looked up G, and he’s still out there playing.  And his music still doesn’t really do much for me.  He decided to record his album at his house, and spend the money to buy microphones and all that for himself.  I certainly can’t fault him for that, since that’s how I got started, but I do think that he’s the kind of person who could benefit from some editing and some outside influences.

And now I need to grab the cello, pack up the car and head over to tonight’s gig, but I’m glad to have been able to finally tell this story.  I really do hope that Pianist is okay, and that his Parkinson’s is under control.  I also want the best for G, and I hope that his career is going well.  I’ll keep tabs on him from a distance.  Who knows; maybe he’s doing the same for me.

Ironically, the same school had one dish that was a hit with everyone, and we always looked forward to it when it came up on the menu.  It was called Hamburger Gravy Over Rice, and I’ve never seen that anywhere else either.  I somehow talked my mom into making it at home once, but it wasn’t the same.

I’ve grown to like peas, particularly the ones in the pods, but cole slaw still remains elusive to me.  The other day, my friend made some that was delicious, and that reminded me of a story that has become famous in our family.  Not long after Mom and Dad split up, when I was about ten, Dad took Brother and me to ColonelChicken for dinner.  We sat in the ‘terrarium’ room, with the fountain and leafy plants.  I ate my chicken and mashed potatoes, and even my biscuit, but I left the dreaded cup of cole slaw untouched on the table.  ColonelChicken’s was the worst.  Dad told me that we weren’t going to leave until I ate the entire thing.  I balked, and he got angry, so I picked at it and ate it as slowly as possible, washing it down with water as I did so.

The minutes ticked away, and Dad was getting irritated.  “Come on!” he yelled.  “You could eat that whole thing in one bite!”

“No I can’t,” I said, “I’ll gag.”

“Do it,” he said sternly, wrinkling his forehead in the way that signified genuine anger.  “All in one bite.”

“Okay, but I’m gonna spit it out.  It’s so gross!”

“I don’t care.  Eat it.  Now!”

“Okay, but don’t be surprised by what happens.”

I dipped my spork into the cup until I had the entire contents resting on it.  I held my breath and slowly moved the spork to my mouth.  I had to breathe, eventually, and as soon as the smell hit my nostrils, I had to fight back my gag reflex.  Dad was still giving me The Look, so I had no choice but to ease the spork into my mouth.  It was the worst bite of anything that I’d ever tasted.  I chewed a little bit, but I could feel my gag reflex about to happen.  I reached for the water glass, but it was too late.  My body rebelled, and the disgusting bolus (I love the word ‘bolus’, and finally have the opportunity to use it!) exploded from my mouth all over the table and floor.  Dad was furious, and he grabbed a bunch of napkins and cleaned it all up.

“See?  I told you that would happen,” I said, unable to stop myself from laughing.  Dad couldn’t even look at me, he was so mad.  I sat in the chair and laughed as he mopped the floor.

That was the last time I ate the cole slaw at ColonelChicken, and quite possibly the last time Dad ever forced me to eat anything.  I guess he learned, albeit the hard way, that my warnings had merit.

These days, the tables have turned.  I got my mom to eat sushi for the first time two years ago, which is funny because she actually lived in Japan for a couple of years before I was born, but never tried sushi because she was afraid of it.  I told her that was hilarious.  “It’s good enough for them; good enough for you.”  She said that on the air force base, food would sit around for a while, sometimes, and if I’d ever smelled some of the things that were in storage, I’d be afraid of sushi too.  Fair enough.

As a bookend for this story, here is the secret recipe for the cole slaw in question.  I will pass, thank you very much, but please report back to me if you actually make it and enjoy it.

When my parents split up, I became the ten-year-old de facto Man of the House, which meant that sometimes I had to do things that Dad would prevously have been asked to do.  I remember being sent to the store once by Mom to buy some tampons.  She was unable to make the trip herself, for obvious reasons, and my brother was too young, so the task fell to me.  I rode my bike to Wray’s Thriftway and parked it in the bike rack.  As I walked through the aisles, I became increasingly mortified by what I’d been sent to do.  I attempted to distract myself by looking at the candy bars, and I decided to purchase one, in order to make bearable the awkward situation I was preparing to face.  I carried my candy bar and walked quickly to the mysterious tampon aisle.

As I stood there, staring at the huge and confusing array of pastel-colored boxes, I quickly realized that Mom had neglected to tell me anything about which kind to buy.  I knew nothing about them (and I still don’t, let’s face it!) except what I’d seen in advertisements on TV.  I knew that mothers and daughters seemed to talk about them in great detail at the breakfast table (as well as ‘douches’, whatever those were), and that women loved to play tennis while they were using them, but I knew nothing about sizes or materials or shapes or any of that.  I grabbed a box by a brand name that I recognized and made a beeline to the checkout counter, avoiding all eye contact and making sure not to go through the line of any of the checkers that I knew.  I decided on the counter nearest the exit, and I nervously placed my two items on the conveyor belt, candy bar first.

The lady in front of me had about a million items in her cart, and I stood there fidgeting, praying that no one would get behind me in line.  My prayers went unanswered, and a whole family of people appeared behind me.  I turned my back to them and kept my eyes facing the door, where freedom beckoned.  When the woman in front of me was finally finished, the checkout lady saw my tiny Twix bar and huge pink box of tampons and absently asked, “Did you find everything you need?”

I nodded as she scanned my candy bar and placed it on the other end of the counter.  As she scanned the tampons, i blurted out, “Uh—they’re not for me.”

She gave me a polite laugh and said, “No kidding.”  She was in her forties, I think (but kids have no gauge for age; you’re a Kid, then you’re a Teenager, then you’re an Adult, then at some point you become Grandpa), and she certainly didn’t need me to explain the situation, but in my heightened state, I was convinced that she was trying to humiliate me even further when she asked, “Paper or plastic?”

Unaccustomed as I was back then to that innocuous question, I thought she was talking about the tampons, but I finally realized that she was merely inquiring about what kind of bag I wanted to carry the stuff home in.  “Paper,” I said, which was more difficult to carry on my bike, but at least the contents of the bag would be safely hidden.  I paid for the items, zoomed out the door, got on my bike and rode home before anyone else saw me.

In retrospect, I don’t know why that was such a humiliating experience.  It certainly wasn’t weird for the checker until I MADE it weird.  Maybe my mom was uncomfortable asking me, so I internalized that discomfort and was ‘primed’ for the situation to be awkward.  I was years away from being familiar with Hamlet, but his line, “There is neither good nor bad but thinking makes it so,” would have been a useful one to keep in mind that day.

I still think of my hilariously asinine statement every time I see tampons in the store.  They’re not for me.  For the record, I’ve bought them a few times since then, and it isn’t awkward at all.  I’m sure that’s because when I was ten, I learned that I don’t need to blurt out that they aren’t mine; everybody already assumes that.

This story is about a kid in my fifth-grade class who used to pick on me mercilessly.  I genuinely hated him, in the way that only children are capable of hating each other.  The good news for me at the time was that he was absent from school a lot, and no one seemed to know why.  There were rumors that he was sick, or that his parents traveled all the time, but we never really knew for sure.  I only remember him being in class for a few weeks of fifth grade, and a handful of days of sixth grade before another of his famously long absences.

A few months into the school year, we finally learned what had happened to him.  Our teacher, Mr. G (which, incidentally, stood for ‘Growcock’; I’ve written about him before), brought in a copy of the newspaper and read us a story from the front page about how the boy had died from leukemia.  “What’s loo-keem-uh—what’s that?” someone asked.  Mr. G explained to us that it’s a form of cancer that spreads through the inside of your bones, and that it’s extremely rare in children, but devastating when it does appear.  He went on to read that our classmate’s teenage brother donated some of his own bone marrow to help the boy’s cause and hopefully give him a new lease on life, but two days before he was scheduled to be released from the hospital, he lapsed into a coma and died.  He was eleven years old, as was most of the rest of our class.  We were dumbfounded.  He was dead?  How was that even possible?  I found myself feeling secretly relieved at the news, since When Bad Things Happen To Bad People It’s Good, at least in a kid’s mind.  As far as I was concerned, justice had been served.  I also found myself wishing, in my little heart of hearts, that some of my other tormentors would be similarly dealt with, by God or whoever.

I had forgotten about all of this until my friend reminded me of the boy during my last trip to Yakima.  Somehow he came up in conversation—I’m not entirely sure how—but we were talking about our grade-school teachers, since my friend had just recently run into one of them at the grocery store.  The strange thing (one of the many) about this story is that the boy’s legacy lives on to this day, since he happened to be born into an extremely famous sports family.  They’re so famous, in fact, that I won’t even write his name because it’s unusual and you may very well recognize it.  The dad was a pitching coach, and he’s still alive.  The brother who heroically donated his bone marrow went on to be a major-league pitcher, and since his retirement from baseball, he seems to have recently started a multi-level marketing business in Canada, which is a bit strange.  A third brother went on to be a professional pitcher as well.  Since I don’t follow sports whatsoever, and I haven’t since I was a kid, I had no idea how famous they all are, so I when I typed their names into FamousSearchEngine, I was shocked by how many results came up, and by the fact that almost every article mentioned the boy who had died so tragically from leukemia, all those years ago, and almost every interview featured one of the family members saying how they don’t go a day without thinking of him.  But I knew him, and he was cruel.  He was more than just an abstraction in a news story; more than just a little halo in a hospital room.

Yakima is a town from which very few well-known people hail.  It’s a bit like Canada, in the fact that people who grow up there know the names of every famous Canadian, and they can rattle them all off on cue.  It’s a secret society.  Those of us who grew up Yakima have the same ability to run down the list of famous Yakimaniacs from memory, and we can do that even if you wake us up in the middle of any random night.  My personal favorite is Raymond Carver, the amazing author, but there are a few others, such as comedian Sam Kinison and actor Kyle MacLachlan.  Oleta Adams, who famously sang with Tears For Fears, had my dad as her insurance agent back in the 1970′s. (Incidentally, here’s an awesome live video of Woman in Chains.)  Willie Nelson and Kris Kristofferson supposedly each owned a ‘getaway’ house somewhere on Scenic Drive, but none of us knew which houses they actually were.  Further down the list are a pair of Olympic gold-medalist skiers who also happen to be twin brothers, and there are a few supernumerary professional football players.  Now, at the very moment I decide to tell this dark and surreal childhood tale, I find out that there’s this legendary baseball family as well.

At this point, I would normally try to find some way to wrap this up in a nice little package, possibly with a ribbon and a bow, and leave it for posterity, but I don’t know that I can do that in this particular instance.  I should, of course, mention that despite my mixed feelings at the time, I hope my former classmate rests in peace, and my heart definitely goes out to the family now, who are clearly still dealing with the grief and the legacy of this thirty-year-old tragedy, which never quite seems to go away.

Luckily, this story won’t take long, since it’s about a dream I had this morning that I don’t remember very well.  It was kinda dumb, overall—well, it was—but it did end with a funny conversation.  The dream was about international spies, which you’d think would make it inherently cool, but people spent an inordinate amount of time discussing the kinds of cars they drove (Mercedes and BMW) as opposed to those driven by the police (boring American cars).  It was as though I was watching a movie, rather than participating in the action, which is probably why it was so boring.  I’d love to be an international man of mystery, but I’ll need to get a passport first.

MainCharacterGuy had a sexy, blonde female sidekick who was twenty years his junior, and there were two other people in the dream, a man and a woman, who commented about her to each other.

“Why’s he with her?”

“Isn’t it obvious?”

“Why’s he gotta pay her?”

“He pays her so she’ll fall in love with him.  He loves her cause—” and the second person chimed in to say, tautologically, “—he loves her.”

That’s when I woke up.

Incidentally, I haven’t forgotten that I owe you a story about hand jobs.  I’ve been trying to think of a way that I can tell it that won’t just be crass, but I’m not sure that’s gonna be possible, so I guess I’ll just keep it simple for once.

I can’t give a woman a hand job.  I mean, I CAN, but that’s not what it’s called, and I only found that out a week or so ago.  You see, I thought it was still called a hand job, whether it was done to a man or to a woman.  My friend thought it was hilarious that I used the term interchangeably that way, and he patiently explained it to me.  Turns out that the term ‘hand job’ is like ‘blow job’; it’s what a woman (or a man, for that matter) does to a man.  If a man (or a woman, for that matter) does the equivalent to a woman, then it’s called one of the million other terms that are floating around in our vernacular—which I will let you discover on your own, rather than listing them all here—but NOT a ‘hand job.’  You’re welcome.  I’m really glad we’ve had this discussion.

This calls for a new slogan.

BFS&T:  Now With 30% More Hand Jobs!

By way of a reward, here’s a hilarious video montage of all the references to hand jobs in the movie Rushmore. If you’ve never seen that movie, then see it.  If you haven’t, then this may be a bit of a spoiler, but I think you’ll find it entertaining.  It’s only a tiny bit of the overall story, and everything’s completely out of context, anyway.  All that being said, enjoy the video.

Not long after the shooting incident,  a room opened up in the basement of the biggest music store in town, and Enigma jumped at the chance to rent it.  When they were negotiating the terms of the rental, the store’s owner told him that if any kind of disaster affected the store, Enigma would ‘totally be covered’ by the store’s insurance policy.  Enigma asked a few times if he could get that in writing, but the owner always waved his hand dismissively and told him, “Yeah, yeah. . .some other time.”   Enigma thought that was fine; what was the likelihood that anything would happen?  They could always figure it out some other time.  He would occasionally remind Owner about their deal, and Owner would always postpone.  I was there during a couple of those conversations, and I remember them well.  I knew Owner a bit, by association, and I had a friend or two who worked in the store.

Enigma had his studio in the basement for two or three years.  It was mostly electronic, which is to say that it was computer-based rather than tape-machine based.  That’s the norm these days, but in 1991, it was pretty rare.   He had a Mac Classic computer with a synthesizer or three connected to it, and that was how the majority of his projects were started.  If he needed to record drums or anything really big, he’d worked out a symbiotic deal with the drum teacher who rented the room next door.   He’d pull out his tape machine and mixer and run cables through the hall.  Here’s a picture of the studio at that time.  I’m the person in the middle, wearing the weird sweater.  My drummer friend Half-A-Bee (that’s an inside joke) is on the left, and Enigma is on the right.

It was much smaller than the other place, but the location was better, and he saw an instant jump in the number of clients that called on him.  That meant that he also called me more often to play on songs.  By then, my band had essentially broken up, but I had a bunch of songs of my own that I’d been working on, and I banked all the time I’d earned from working on all those other peoples’ sessions into my own blocks of studio time.

One thing about recording studios is that they usually have multiple projects going on simultaneously.  Large studios will sometimes be booked by record companies for weeks or months at a time, but most people these days are financing their projects themselves.   My current studio setup (otherwise known as my living room) puts Enigma’s to shame, and I can spend as long as I like working on songs, for only the price of the equipment.  Back in 1991, however, even the ancient Mac in the picture would have cost a couple thousand dollars.  It was all pretty state-of-the-art back then, and Enigma had lots of people working with him.

My ‘day’ job at the time was the night clerk at a video store.  That was one of my favorite jobs, and I worked there for quite a while.  One afternoon, my co-workers and I heard an unusual number of fire and police sirens racing across town.  We looked out the window and saw a huge plume of smoke rising from the direction of downtown.  We asked the customers as they entered the store if they knew what had happened, and someone was finally able to tell us that the music store was on fire.  My blood turned to ice, and I grabbed the phone to warn Enigma, and to tell him to get over there.  He didn’t answer, but he got my message (he told me later) and raced downtown to hopefully salvage whatever he could.

As afternoon turned to evening, the fire raged at the limits of control, and it took the firefighters until almost dawn to extinguish it.  As soon as the surrounding roads were open, my friend and I drove downtown to survey the situation, and the smoldering remains of the building were pretty terrifying.  Enigma’s studio didn’t burn, but it was buried was under fifteen feet of sludgy water and charred debris.

Remembering their verbal agreement, Enigma tried desperately to contact the building’s owner, who was unreachable for days.  Once the water had subsided a bit, the police allowed Enigma to go to the basement and retrieve what he could.  Most of his stuff, including his tape machine, was completely destroyed, but he was actually able to salvage some of his gear.   He wrapped everything in black garbage bags and carted it to his mom’s living room, where it sat for months while he completely disassembled every piece and cleaned it up.  The computer actually came back to life, eventually, and the mixing board only needed some slight repairs.  Amazing.

After a week or two (if memory serves), he was finally able to track down the owner of the building, who had managed to conveniently forget about their permanently postponed contract.  I told Enigma that I remembered those conversations, and that I’d be happy to testify in court if it came to that.  The owner continued to balk, so Enigma had no other choice but to sue him.  He invited those of us with studio projects in the works to join in the lawsuit, so that we could also be compensated for the amount of time and money that we’d lost.  Some people only lost a song or two, but some of us lost a significant amount of music in that fire.  I had accumulated about three thousand dollars’ worth of studio time, and there was a hip-hop guy whose album was completely finished and ready to be sent to duplication.  Of all the studio’s clients, his loss was by far the most devastating.

The details of the case were these:  the owner had let an employee and some friends dink around in the store after it had closed for the day, and that employee had been smoking a cigarette while he was in there.  I don’t remember if the guy dropped the cigarette, or if he left it in a garbage can and thought he’d extinguished it, but the cigarette was thought to be the cause of the fire.  The police suspected arson, which seemed especially credible since the store owner skipped off to Florida with his two-million-dollar insurance settlement, and couldn’t be tracked down for the next few years, by which time our case had been dropped since the lawyers couldn’t find Owner.  I will go to my grave believing it was arson, because if it HAD been an accident, Owner would’ve been outraged (which he was not), and much more willing to fulfill his responsibilities to his various tenants.  As far as I’m concerned, foul play is the only thing that explains his bizarre behavior, and his unwillingness to deal with those of us who were left high and dry.  Not to mention the fact that the owner was able to salvage a great deal of his inventory and have a huge ‘fire sale’ a month or two later, so he recouped a sizable amount of that money as well.  Yakima’s online newspaper archive only goes back as far as 1997, unfortunately, so I wasn’t able to find this story, but I would really love to find out how they reported the story.

One funny thing about this story was our lawyer’s name.  It was the kind of name that only appears on cheesy TV shows.  I can’t tell you what it really was, since she’s still around and practicing law, but I can tell you that her name sounded like “Money Law.”   Isn’t that cute?

Every once in a while, I search for Enigma online, and I find him.  Sometimes I think it’d be nice to reconnect, but then I remember some of the weirdness, and I lose any motivation to contact him.  Best to let sleeping dogs lie, I’d say, in this particular case.