Well, huzzah.

Beautiful, Funny, Sad & True is celebrating its fifth anniversary today, and I’d like to take the opportunity to thank you for sticking around and reading.  I realize that updates and stories have been a little sporadic around here lately; I’m working on rectifying that situation.  Five years is a long time to keep a blog.  Actually, including the previous incarnations of BFS&T on Blogger and that other social network, it’s been more like eight years, which is a bit mind-boggling.

Here are some updates I can provide you with, and I’ll divide them into the quadrants that create the name of this place.

beautiful:  My friend and I started writing and recording an album together a year ago, and it’s getting very close to completion.  We’re aiming for a release date this spring.  We’re thrilled to finally have a bassist (who also plays a number of other instruments) on board with us, and an excellent drummer is in the works as well.  Exciting times!

funny:  I could split hairs and wonder if this means funny/strange or funny/ha-ha, but either way I’m at a bit of a loss on this one.   Well, okay, here’s a little joke.

JOHN:  Ask me if I’m a truck.

PAUL:  Are you a truck?

JOHN:  No.

Ha ha.  Don’t worry if you don’t get it; there’s really nothing to get.  It’s just absurdist, and you either like it or you don’t.  I happen to like it.

sad:  Holidays are tough.  I tend to get the blues around this time every year.  It’s not seasonal affect disorder, I just find myself ruminating a lot about the things in my life (or even in myself) that are missing or lacking.  That’s about all I’ll say on the subject here, but I thought I’d let you know that’s what I’m dealing with at the moment.

true:  I went to visit my dad a couple of weeks ago, and came home with two big boxes of LP records.  Almost all of them are classical, and many are the same ones that I grew up listening to.  Some I know by heart, like the Glenn Gould piano recordings and Bach organ recordings, while others are ones I wasn’t familiar with back then but am totally interested in now.  There were a few surprises in there, too, like Johnny Cash’s greatest hits (from the 1960′s! and a couple of Moody Blues and Chet Atkins records that I doubt have ever been listened to.  I certainly don’t remember hearing that stuff in our house when I was growing up.  Certainly am glad to have them now, though.  I’m totally looking forward to plowing through all of them and giving them the attention they deserve.

So that’s what’s happening on this Very Special day.  Here’s to another five years!

Musicians are supposed to enjoy jamming, it seems, but I usually prefer to work on songs with structure and create ‘perfect’ parts for them.  I do love to improvise, however, and I always jump at the opportunity to do so, especially with other musicians who can also improvise well.  I don’t know how to explain the difference between a Jam and an Improvisation, but a jam always seems so much more lame somehow.  It also implies that an actual song will come from it, as opposed to an improvisation, which exists as its own separate entity and then disappears into the ether.

The perfect opportunity came when a guitarist friend of mine used to host a weekly Not-Jam at his place.  It was all a group of professionals from various bands, and whoever wasn’t gigging that night had an open-ended invitation to come down and play.  There were two drum sets, a bunch of guitars, amps, keyboards, saxophones, percussion instruments, a full PA system, and everything.  The idea was to bring your instrument and your drink (or whatever) of choice, and everyone would grab whatever they felt like playing, and we’d all see what happened.  It was very Zen, and I miss those nights.  I’ve considered starting my own improvisational group of acoustic instruments.  I’ll play cello or accordion, and invite other string players and brass players, and anyone else who plays an acoustic instrument.

About five years ago, I was really trying hard to make a living at recording, despite the fact that I just getting started, and wasn’t quite up to that task yet, but that’s neither here nor there.  I try to carefully pick and choose the people I work with, since you end up spending a good deal of time with people when you’re in the studio with them, and I have to really like them and their music in order to want to spend that much time with it.  I would hate to slog through day after day with a black metal band, for example.  Not that there’s anything inherently wrong with black metal—you have to be an amazing musician to play it—it’s just not my thing, and I’d prefer to focus on My Thing.

So anyway, five years ago.  A songwriter friend hooked me up with a friend of his who I’ll call G, not because he’s a gangsta, but because that’s his first initial.  I didn’t find his songs particularly compelling, but I decided to work with him as a favor to my friend.  Plus, I needed the money.  G was (and still is) a guy of a certain age, whose songs were more classic blues-rock than I gravitate towards.  He also has a sort of ‘Earth Mother’ folky side to him that doesn’t quite jive with me, either, but he seemed to like what I did to his songs in pre-production, so we decided to work together a bit.

I told him that my usual way of working was (and still is) to record him doing his thing, and then I usually play most or all of the other instruments around what he had done.  I told him that I play drums and bass and all kinds of other things, and he wanted to hear me do that so he could assess my skills.  Fair enough.  He also had a weekly jam session with his friends, and he invited me to join them at his friend’s beautiful house near Mount Tabor.  They had all the instruments already, so I wouldn’t need to bring anything if I didn’t want to.  It was an offer too good to refuse, so I took him up on it.  I also brought my accordion and five-string Tobias bass, just in case.  I put them in the trunk of my forty-shades-of-purple BMW 2002 and drove over there.

It was quite different from the improvised music night that I’d been attending at my friend’s place, in that A) these guys were amateurs rather than professionals, and B) I suspect that they used their jam session nights as excuses to escape from their families and regular lives, rather than to express themselves musically.  I could be wrong, but that’s the impression I strongly got.   It was also different in that everybody else sat around and got high before we started playing.  I don’t smoke, myself, and I’ve found that when some people are blissed out, they occasionally overestimate their playing abilities.  That started out as one of those nights.

There were five musicians in the band, on guitar, bass, drums, piano, and organ, so whenever there was an instrument that wasn’t being played, I’d jump on it.  Usually that meant piano, but at G’s request, I played the drums a little bit, too, and played the bass a little bit.  Each song would start as a cacophony and then sort of find its way into a key.  We eventually hit our stride, played extremely well, and actually managed to create some beautifully dynamic pieces of improvised music.  After four or five songs, we all felt compelled to slap high-fives and have a group hug, which was interesting and a bit funny.

At that point, we’d been playing for a couple of hours, so we put our instruments down and walked into the kitchen to eat some food and refill our glasses.  We talked about how great playing together felt, and how amazing it was when songs spontaneously come together, almost as a form of emergence.  Suddenly, the pianist got very quiet and told us that he had a confession to make.  He had recently (maybe the week before) been diagnosed with Parkinson’s Disease, and he was gradually losing the use of his hands.  As a jazz pianist, this was particularly devastating, as I’m sure you can imagine.  This gave the evening an entirely new focus and gravitas, and Pianist told us how he would hear something in his head and attempt to play it, but his fingers were simply unable to comply.  He made a request that during our next song we go ‘all out’, in order that he could test the limits of his playing and manual dexterity.

I played my bass, and each of the other guys assumed their various roles, with the bassist switching between tambourine and percussion.  The pianist started the song as an atonal jazz ballad, and we all followed suit.  After a few minutes of atonality, my mind started to wander.  The good thing about playing bass is that you can really use it to lead and set the tone for the entire rest of the band, forcing them all to change structure if need be.  They kinda have to follow you if you’re going a certain direction.  I gradually morphed it in a very tonal, almost classical direction, and that, combined with the jazz piano, became really beautiful.  It was as if we all were creating a simultaneous homage to Pianist by weaving a colorful musical tapestry for him.  The song climaxed and wound down with a simple scale in B major, which gave everything a depth, and a certain positive overtone.  It was transcendent.

By then, it was ten o’clock, so we packed up all of the instruments and went our separate ways.  We seemed to be walking on eggshells.  What do you say when someone drops a bombshell like that?  ‘I’m sorry’ seems insulting, or anti-climactic, or insufficient at the very least.  Plus, it was the first (and last) time I ever saw any of those guys, so I was really at a loss.  I’m sure I stammered something tactful like, “Um, nice to meet you guys.  Good luck with the Parkinson’s—?”

As I was backing my ancient BMW out of the driveway, it slipped out of reverse gear, like it did occasionally.  It made a huge, metallic CLUNK sound which stopped the car in the middle of the street.  It sounded and felt as if I’d backed into something in the road, so I got out and looked behind me.  I saw nothing, so I got back in and drove home, albeit a bit nervously.  That was one of the most fun and also one of the strangest nights of music that I’ve ever experienced.

I haven’t done any improvisational nights lately, but I still think of that one.   I hope that Pianist is okay, and still playing.  I just looked up G, and he’s still out there playing.  And his music still doesn’t really do much for me.  He decided to record his album at his house, and spend the money to buy microphones and all that for himself.  I certainly can’t fault him for that, since that’s how I got started, but I do think that he’s the kind of person who could benefit from some editing and some outside influences.

And now I need to grab the cello, pack up the car and head over to tonight’s gig, but I’m glad to have been able to finally tell this story.  I really do hope that Pianist is okay, and that his Parkinson’s is under control.  I also want the best for G, and I hope that his career is going well.  I’ll keep tabs on him from a distance.  Who knows; maybe he’s doing the same for me.

We shared a big bedroom at Dad’s house.  One day, Brother was lying on his bed doing homework, and I was lying on my own bed reading a book.  He got up to take a break, or watch TV or something, and at the same time I got the urge to pass gas.  Being the older brother, it was my natural impulse to walk over and pass gas into his pillow.   I repeated that action as the need arose, and I thought it would be even funnier if I was able to really stink up his pillow as much as possible, so I took my shoes off and rubbed my smelly socks all over it, inside and out.

A few minutes later, Brother walked back into the room, and I was reading on my bed, as if nothing had changed.  He reclined on his bed, with one elbow on the offending pillow, and returned to his studies.  After a few minutes, he sniffed the air and said, “Do you smell something?  It smells weird over here.”

“Hunh,” I said, as casually as possible.  “I don’t notice anything.  Smells fine here.”  My bed was ten feet away from his.

He turned back to his books for a while, but then curiosity got the better of him again.  “No, really,” he said.  “Are you sure you don’t smell anything?  It’s pretty bad.”

“I don’t know what you’re talking about,” I said, shrugging my shoulder.  “I don’t smell anything weird at all.”

He turned back, determined to find the source of the odor.  He sniffed up and down, then got a really strange look on his face as he looked toward his pillow.  That was the moment I’d been waiting for.  As he brought his nose closer and closer, the realization hit him, and I burst into an uncontrollable fit of laughter.

“Gross! What the heck did you do?” he asked, as he pulled off the pillowcase, smelled the pillow itself, and grimaced.

I was still laughing, but I finally pulled myself together enough to give him an answer.  “I might have farted on it a few times.  And I also might have slipped and accidentally rubbed my socks all over it too.  Yeah. . .I might’ve done that.”  I started laughing again.  He did too, as I recall.

A few years ago, I told a girl I was dating about The Pillow Incident, and she was slightly repulsed by it.  She saw the humor, but she also never quite believed that I wouldn’t do that sort of thing again.   I assured her that I wouldn’t, since I was thirty four years old, and she of all people had nothing to worry about.

Why am I telling that story now?  I’m not sure, exactly, but it came up in conversation with a friend the other day, so it had been bopping around in my brain lately, and I figured that I should tell it here too, under the heading of Childhood Stories.  I did learn that I shouldn’t tell that one when I’m on a date.  Not a very sexy story, as it turns out.  Ha ha.

One other funny childhood story (this one’s not gross, don’t worry) that took place in that bedroom was when my brother and I were wrestling one day, and it kept escalating and escalating, like it does sometimes between brothers.  We were joking around, pulling clothes and stuff out of each others’ dressers, and pretty soon we started pulling the blankets off of each others’ beds too.  It was all in fun, as if to say, “So, you wanna start something?  Okay, well, how about THIS?”  We kept one-upping each other, until all of our clothes, blankets, sheets, and mattress pads were strewn around the floor of the big bedroom.  We were laughing like hyenas, and my brother reached for my actual mattress and started to pull it from my bed frame.

That’s when Dad walked in.  He heard the commotion and came over to see what was going on.  His jaw dropped.  “What the hell are you guys doing?” he yelled.  “Clean this crap up now!”  His tone of voice broke the spell of our laughter, and we looked up, somewhat mortified, to see that we had completely destroyed the room.  Our beds were in a gigantic heap in the middle of the floor, and it looked as if a tornado had touched down in our room, but had spared the rest of the house.  He stood and watched us incredulously as we put everything back together.

That house was really great.  It was owned by family friends who went to our church.  Their aging mother lived in the house for decades, and our friends lived in the house up the hill.  She was in her eighties, and was starting to be unable to live alone anymore.  They wanted someone to live in her house, but they wanted it to be someone they knew.  It was a perfect situation.  They kept the rent low for us, and we happily moved in.

The house is over a hundred years old now, and it used to be the only house on the street.  It’s situated on the old Evergreen Highway in Vancouver, which runs right along the Columbia river.  We used to be able to walk down to the waterfront and play down there.  These days, all of the roads are private, and gated, and so far I’ve been unable to find a way down past the railroad tracks to the river.   Our old house is now surrounded by a group of newly built houses, and the wild, wooded hillside is now a sleepy cul-de-sac like a million others.

Such is the way in America, I suppose.  Open spaces don’t last long, particularly in Portland, where the Urban Growth Boundary is strictly enforced, and space is at a premium.  Vancouver doesn’t have a law like that, so urban sprawl is the order of the day, but this house is in a long-developed residential neighborhood, and we felt lucky to have had the opportunity to live there.

It’s probably worth mentioning that our bedroom at the time of these stories was in the bedroom on the back of the house, on the far left side of the picture.  The layout of the house changed sometimes, too, because at another point, we lived in the upstairs room and could look out over the river and the airport.  We even bought an airport radio and would sit up there for hours with binoculars and a notepad, writing down the names and flight numbers of the planes as they landed and took off.

If you’d told me when I started this entry that it would morph from a disgusting tale of pillow desecration into a nostalgic musing, I might not have believed you.  Yet here we are, and I stand by my choices.  For the record, I solemnly swear not to soil any more pillows, and I won’t tell that story on any more dates.  In fact, if I’m on a date, and you hear me start to launch into it, I hereby give you permission to step in and save me from myself.

R. told me of a certain out-of-the-way book that he had been trying to locate without success, scouring bookstores and catalogues for what was supposed to be a remarkable work that he very much wanted to read, and how, one afternoon as he made his way through the city, he took a shortcut through Grand Central Station, walked up the staircase that leads to Vanderbilt Avenue, and caught sight of a young woman standing by the marble railing with a book in front of her; the same book he had been trying so desperately to track down.

Although he is not someone who normally speaks to strangers, R. was too stunned by the coincidence to remain silent.  “Believe it or not,” he said to the young woman, “I’ve been looking everywhere for that book.”

“It’s wonderful,” the young woman answered.  “I just finished reading it.”

“Do you know where I could find another copy?” R. asked.  “I can’t tell you how much it would mean to me.”

“This one is for you,” the woman answered.

“But it’s yours,” R. said.

“It was mine,” the woman said, “but now I’m finished with it.  I came here today to give it to you.”

Earlier today, I heard someone mention the phrase, “We only use ten percent of our brains,” and that got me thinking of a number of reasons why that statement isn’t true.  First of all, most human beings are very highly evolved, and every part of our bodies (with the possible exception of the coccyx) has a specific function and purpose.  Things that don’t serve any purpose get evolutionarily ‘weeded out’, you might say, and tens of thousands of years of that process have left us pretty dang streamlined.

Different brain functions are handled by different sections of the brain, so while at this very second you may be using only ten percent of yours by watching television, or by having sex, or by reading this blog, you’ll be using different parts of it to know where your limbs are (without looking), or to recognize your childrens’ faces, or to simply keep your balance, or to recognize subtle social cues, or to play the cello.  You’ll have used your entire brain in just a few minutes without even, dare I say, thinking about it.

Where did the ten-percent myth originate, and why does it persist?  According to Barry Beyerstein, it seems to be a skewed modern outgrowth of an idea put forth by Victorian-era psychologist William James, who was fond of saying that people rarely achieve more than a small amount of their potential.  From there, the idea spread into the public vernacular, where it somehow morphed into ‘ten percent of their potential’, and then into ten percent of the brain.  Once that meme spread out across the world, it never really went away, despite the enormous scientific and technological breakthroughs on the subject during the intervening decades.

I love to find out about the modern discoveries that prove how ‘plastic’ and changeable the brain is, especially following a brain injury.  If you lose your sight, for example, your brain will learn to process things you TOUCH with the visual cortex.  A friend of mine used to have a little blind cat who knew her way around the entire house, could walk right over to you wherever you were, could jump to window sills (and even knew which window sills had decorative stuff in them she needed to avoid, or were sills that she was unable to jump to), and could even climb up and down the fire escape without ever missing a step.  My own cat, who had normal vision, wouldn’t go near the steps of the fire escape because she could see how steep the angle was, and how high up our third-floor apartment really was, and it was all too much for her.  The blind cat would run up and down without a care in the world.  She had the place completely mapped out in her brain, and knew exactly where everything was.

The ten-percent theory seems to rank up there with other misinformed phrases like ‘sweat like a pig’ and ‘eat like a bird.’  Pigs don’t sweat, which is why they lie around in the mud to keep cool, and birds have to eat twice their own weight every day in order to have enough energy for all that flying.  My favorite thing to say, when someone says they eat like a bird, is, “Oh, really?  Twice your own weight every day?  Or do you mean you peck at the food on your plate, without using your hands or utensils?”

The good news, possibly the most heartening of all about the brain theory, is that if you DO only use ten percent of your brain, but you use it to think about THE Brain, that should bump you up to at least a good fifteen or twenty percent right there.

There were some standout moments from this last year that didn’t manage to make it into the blog, for various reasons.  For example, here’s a video of a particularly interesting recording session that I was lucky enough to be involved with, albeit in a small way.  A local singer-songwriter, who is also a friend, put the word out on SocialNetwork that she wanted to create a cacaphony of 50 pianos, all playing an F chord at the same time.  I jumped at the chance.  She rented a piano showroom downtown, and my friend and I (and forty eight or so other people) joined in to participate.  I brought my camera to capture a bit of the action.

Another memorable moment from this last year was Trek in the Park.  This theater group gets together every year to re-create a famous episode from the original Star Trek television series.  This year’s was Space Seed, in which we meet the infamous character Khan (who returned in the movie The Wrath of Khan).  It was a very well-done production, with live music and everything. . .and it was all free of charge.  Here’s the climactic fight sequence between Kirk and Khan.

IrishBand released our self-titled EP this year, as well as an amazing animated video that a friend created for us.  I would post that here, but our band name is very unusual, hence the pseudonym.  To celebrate, we went to Port Townsend, Washington (the hometown of three of the band members, and an adopted home away from home for the rest of us) to play a CD release party and catch the Rhododendron Festival and parade and everything.  It’s always a huge party weekend for PT, and this year was the tenth reunion for PT High School, which included Violinist and a bunch of other friends, so I actually went to the reunion barbecue in Chetzemoka Park during the afternoon, since I knew so many of the people there.  (God forbid that I actually go to any of my own class reunions; I haven’t yet.)  I also performed in the parade, in disguise, as an honorary member of Nanda.  I’m the guy with the Mexican wrestling mask, playing the bass, miming along to the dance music that was blaring from the speakers in the back of the truck.

I had the opportunity to see the Oregon Symphony perform many times this last year, with some pretty big-name performers.  Violinists Midori and Hilary Hahn, violinist Pinchas Zukerman and his cellist wife Amanda Forsyth (who, incidentally, gave a cello master class at the Old Church that afternoon, which I also attended, even though I’m far from being a cello master) who performed Brahms’s Double Concerto together, and a number of others.  This month, I have a ticket for pianist Emanuel Ax’s concert, which I’m very much looking forward to.  Yo-Yo Ma performed here a month or so ago, but his concert was sold out in the spring, only a few weeks after tickets went on sale.  Curses.

So it’s been a good year, overall, but I’m really hoping that 2011 is better, or less confusing at the very least.  I have lofty goals for the upcoming year, which include finding a job, finding love and a real relationship, taking care of some things that have been dogging me for a while now, and producing more CD’s.  I have a bit of news on the music front, actually.  A friend of mine hurt her arms a year ago, and has since been unable to play the piano, but that hasn’t stopped her from singing, or from writing lyrics and melodies, or from having tons of ideas.  She e-mailed me at some point to ask what people in her position do in the music business.  I told her I don’t know about ‘the music business’, but I’d love to give the songs a listen, and that maybe I could put music to them.  She sent me some mp3′s, and I instantly felt like I knew where the songs should go.  They felt familiar without being predictable, which is always a good sign.  That was about two months ago, and we already have five or six collaborations in the works.  Pretty awesome and exciting.

In other news, December is the fourth anniversary of this blog, so it seems appropriate to have a little birthday party, no?  Come on, let’s have some sis-boom-bah.

So anyway, on to the Best Of.  Here are the lists of what I consider to the best entries BFS&T has to offer from this past year, which naturally includes a list of the most interesting dreams, as well.  Enjoy!

THE ENTRIES:

SteamCon – the steampunk convention in Seattle in which PolishCellist and I played, and had a total blast doing so

tragedy – the death of Stepdad

struggle – the early aftermath of the death of Stepdad

sitting here thinking about the Holocaust – one of the funniest things I’ve ever heard on the radio

folk festival fun – Portland Folk Festival, starring IrishBand, Dan Bern, Roll Out Cowboy, etc.

I’m kind of an a-hole – see for yourself

birthday present – prostitute schmostitute

the unicorn code – love it, learn it, LIVE IT

no one’s laughing – a peek into our family dynamics

déja vu – what it feels like, and a friend who claims to never have experienced one

the truth is out there – interesting UFO story, I promise

it’s not for shaving – Occam’s Razor, and how it applies to recording music

what if it is? – a very memorable and touching moment from the show Six Feet Under

THE CHILDHOOD STORIES:

shuttlecock

love and curiosity

he ain’t heavy, he’s my brother

the final innocent tryst

synchronicity

THE DREAMS:

lights, camera, dream

festival dream

shape shifters

inimitable and imitable

subconscious and libido

this needs a name

frozen

Just in case this wasn’t enough for your insatiable appetite for blog entries, here’s the Best of BFS&T 2009 entry, for your gluttonous pleasure.

Thanks for being here and reading all this, and for supporting this blog for such a long time now.  I really appreciate it.  I hope we all have an excellent New Year’s Eve, and Day, and that 2011 allows us to learn, and to grow, and to change for the better, a little bit each day.

Happy New Year!

I have somewhere surely
Lived a life of joy with you,
All is recall’d as we flit by each other,
Fluid, affectionate, chaste, matured,

You grew up with me,
Were a boy with me or a girl with me,
I ate with you and slept with you, your body has become
not yours only nor left my body mine only,

You give me the pleasure of your eyes,
face, flesh as we pass,
You take of my beard, breast, hands,
in return,

I am not to speak to you, I am to think of you
when I sit alone or wake at night, alone
I am to wait, I do not doubt I am to meet you again
I am to see to it that I do not lose you.

-Walt Whitman