a more ‘real’ entry

Portland, cello, love, music, sad, true 4 Comments »

Yeah, that last one was funny and everything, but now it’s time for a more ‘real’ entry.

I’ve been feeling a little strange all week; a little bit lonely, a little bit sad, and a little bit exhausted from work. I’ve even thought about writing to Kelly again lately, but I still don’t think that’s a good thing for me to do, so I’ve resisted that impulse.

In a way, I’ve been so busy these last few weeks that it sort of kept me from feeling the loss of that relationship, but now that my schedule has eased up a bit, I’ve had more time to feel it, and I’m not gonna lie; it’s been hard lately. Luckily, I have friends I can call to talk about it with, and who understand. But there are still some quiet times when I find myself missing her.

Tonight I went to another play reading with Todd Sabel and his theater group. The play they read was called “Dirty Water”, and I took my accordion and provided improvised background music and sound effects (WATER sound effects, no less. Who knew?). The play was written a couple of years ago by a local playwright named Devon Granmo for his college thesis. Hilarious and strange play, and even though it’s been performed before, it seems like it might actually be a work in progress. The playwright was there at the reading with us, which was really interesting. He stopped the group once or twice during the reading to say, “Oops. . .I forgot to change this part. Start HERE and then go BACK and start at this OTHER section.” He also asked for feedback from the group afterwards. If some pictures float up to the surface–and I have a feeling they will–I’ll be sure to post them here.

Oh yeah. . .there was something else interesting that happened at the reading. There was a woman there who wasn’t at the last reading I was at, who apparently plays the cello. When Todd introduced us, she asked how I found out about the theater group, and I told her Todd invited me to come play at one of them a month ago, and that I played cello the last time. She said, “You play cello? How would you feel about playing with twelve other cellists?” “You mean the Portland Cello Project?” I asked. “I’d LOVE to. I’m friends with Skip and a couple other people, and I’d love to come play.” “Well, they’re looking for new members; you should come down.” “Count me in, DEFINITELY.” The Portland Cello Project, if you haven’t seen them before, is an amazing group. I’ve been wanting to go and play with them for almost a year now, but so far I’ve been too busy with the bands I’m already in. Now that it’s fall and I have a little more free time, I’m going to take that opportunity, for sure. Groups like PCP are the reason I started playing cello in the first place.

The rest of the week has been pretty uneventful, quite frankly. I’ve spent much more time than usual at home, cleaning my apartment (which was long overdue) and trying to relax and deal with the hundreds of different feelings I’ve been feeling lately.

The moral of the story is that I think I could use another hug.

PEOPLE, man.

blogging, sad, true 1 Comment »

Today I heard two strange and memorable things.

I should warn you that this entry may be a little bit. . .uhh. . .well, let’s just say that if your sensibilities lean toward the delicate, then this may not be a good entry for you. There’s no bad language or anything, but there’s plenty of talk about bodily functions. Did I say ‘plenty’? I should’ve said ‘all’, I suppose, because that’s pretty much the entire subject of this entry.

You’ve been warned.

Still with me? Okay, then you must be the kind of person who knows that sometimes you have to sink low to catch the really big fish, so here we go, hand in virtual hand, down to the literary and blogospherical depths.

Around ten o’ clock this morning, I took a break from work and went to the restroom. While I was standing at the urinal, I heard someone in the stall doing some text messaging while they were going Number Two. Now I don’t know why that bothered me so much, but it did. Taptaptap–PFFFT–taptaptap–(gruuuuunt)PLOP/SPLASH(exhale)–taptaptap. The images that came to mind were just not good ones. I hope he washes his hands like a maniac, and I also hope that none of his friends ever has an emergency and needs to use his phone. Okay, so that was Part One.

Part Two was when he started going Number One, and it suddenly sounded like he turned a faucet on in there. I’m talking about a big faucet. I thought to myself, ‘Man, that guy must have a huge urethra!’ Then I thought, ‘IT’S TEN O’CLOCK IN THE MORNING; I DON’T WANT TO THINK ABOUT URETHRAS, ESPECIALLY IF THEY’RE NOT EVEN MY OWN.’ I washed my hands quickly, left the restroom and walked back to my desk.

Normally this is where the blog entry would end. But not today; ohhhhh no.

This afternoon, in another trip to the restroom, I was standing at the urinal when a guy walked in, talking on his cell phone. That in itself is a little weird, but then he turned, walked into the stall and started urinating loudly, WHILE HE WAS STILL ON THE PHONE. I mean, come ON, dude, not only does your girlfriend have to listen to you peeing while you’re on the phone with her, but I have to listen to you peeing AND talking on the phone to your girlfriend. Do us all a favor next time and call her back when you’re done.

SHEESH.

People, man. I’m tellin’ ya, they drive me crazy.

new wrinkles in the brain

Portland, music, recording 1 Comment »

Every once in a while, you meet someone who you think may play a very important role in your life. I think I may have met one of those people today.

His name is Peter Vaughn Shaver, and he’s an entertainment lawyer who, in addition to working with many of the biggest names in the Portland music scene, gives occasional lectures and workshops telling people about their rights, and how they should take care of themselves if they want to have a career in the music business.

I spent two hours today getting my mind expanded, and in the near future, I’m going to book some time with him on my own to talk about production-related issues. I feel like I’m right on the cusp of some serious life-changing (and maybe even career-changing) events. I don’t know what they’ll be, and I don’t even want to guess, but it’s definitely real and I’ve been feeling it for a few months now. Growing pains, I think.

I’m definitely someone who believes that when you’re ready for them, opportunities that had previously gone unnoticed suddenly start to appear, often out of the blue.
They usually seem to manifest as people who are in a position to help you, or make you aware of things you weren’t aware of before.

That’s how I feel today, and it’s a very exciting feeling. Lots to think about.

Matt, Steph, 1900

Portland, beautiful, music, recording, true 1 Comment »

I have a whole bunch of things I’ve been wanting to write about, but they’re all very disparate and random, so I think I’ll have to settle for an update, at least for now.

Wednesday night I was invited to record some guitar parts and maybe other things too) by BassPlayerChris who plays in Breanna’s band. One of the other people he plays with is named Matt Vrba (yes, that’s spelled correctly; it’s pronounced VERB-uh), and Matt wrote a Christmas song, and he and the band were recording it. They needed some other textural instruments, so Chris called me. I ended up playing electric guitar, xylophone, and Casio keyboard on the song. It was a blast. First time I’d met Matt, but he’s a great guy. Can’t wait to hear how the song turns out. We recorded at Opal Studios with a guy named Kevin Hahn, and everything sounds really great. I’d recommend him without hesitation. It wouldn’t surprise me if our paths cross again.

Last night, Stephanie’s band played at the Hawthorne Theater. We played well, but it was kind of a tough gig. We opened for a well-known band from Canada, but I think we all kinda felt like we’d been jerked around, from the minute we walked in the door. The show was scheduled to start at 8:00, so we all arrived about 6:45. Well-Known Canadian Band was just starting their soundcheck. Someone came and told us that the show was scheduled to start at 9:00, but we’d been telling everybody to be there at 8:00. In addition to that, we were originally scheduled to play first, then a DJ would play for a half-hour or so, and finally Well-Known Canadian Band would play. This seemed like an odd choice of ‘flow’ for a show, so we asked if the DJ could play first. This was agreed to, but we still needed to have a soundcheck too. Fifteen minutes before the doors opened, Well-Known Canadian Band finished their soundcheck, and we were finally allowed to set up our instruments on stage. Luckily, their drummer invited DrummerDrew to use his drums, which cut down dramatically on set-up time, but we still had precious little time to test the vocals, acoustic and electric guitars, bass, and accordion. Plus, can I just take a minute to mention that the sound guy was a complete amateur? Thank you; because he was. Steph’s acoustic guitar kept feeding back during the show, and I didn’t even get to test my accordion’s microphone before the show started. These things are all pretty much unheard of in professional venues. In any decent-sized venue where there are multiple bands on the bill, each band usually gets a half hour or so to test everything, so that the sound crew knows what they’re dealing with and they can make the groups sound as good as possible.

All that aside, the venue was also very strange. It’s an all-ages place, so what they’ve done is divide the room in half; front and back. The front (by the stage) is all-ages, and the back half is the bar area. While we played, it was still early, so everyone was still in the bar area, which meant we were playing to a great big hardwood floor and a half-empty room, which felt a little bit insulting. As performers, all we have to gauge our performance is the audience. If we feel like they’re distant and unresponsive, it’s a bummer, because we either feel like they aren’t enjoying themselves, or that we’re not doing a good enough job.

So all that, combined with the showtime issues, made for a frustrating experience.

The good news about the show was that BoringFish was there. It was great to see her, even though conversation was a little difficult; shouting over a band isn’t the most conducive environment. But she’s great, and shouting at each other is infinitely better than not seeing each other at all.

The other good news about the show is that the band played well. DrummerDrew and BassistWill are really fun to play with, and they’re getting comfortable and stretching out in a great way. Last night was also the debut gig for my new guitar amp (not to mention the new amp stand that I bought while I was on my lunch break), and it sounded fantastic. So that was really nice, but the gig itself was still really frustrating, overall.

This week at work has been infinitely more stressful than usual, too. Normally there are two other people (or sometimes even three) who work in my department, but this week one of them had her grandmother die, and the other has a daughter who just had her first baby. So Wednesday, Thursday and today I was alone. It was totally crazy, and I’m totally exhausted, which is why I’m sitting here writing in my blog and doing laundry on a Friday night, despite a couple of offers to go out.

In other news, I’m going to a Music Business workshop tomorrow afternoon, to learn about contracts, distribution deals, production deals, and all that sort of stuff. There’s a guy here in town who’s an entertainment lawyer, and he’s given workshops and lectures about these issues regularly (but not often) for two or three years now. He’s a really great guy, and I’ve wanted to attend one of his workshops for quite a while. This comes at the perfect time, too, because I’ve had lots of good opportunities come my way recently, and I hope to be able to capitalize on them.

And now I’m going to get off the computer, because I’ve spent all day using one at work, and I’m starting to get sore. Plus, I bought a DVD today called “The Legend of 1900″, which my friend Leila told me I need to see. I stumbled upon a used copy at Everyday Music, so I decided to go ahead and buy it. I think I’m going to go watch it now.

I hope all’s well with you.

long, strange dream

dreams 2 Comments »

Sean M. (a childhood friend who lived on my street in Yakima) and I are driving way out in the country. Nothing around but rolling hills, dirt roads, and the occasional house. He’s got a new white car and wants to show it off. It’s not a sports car, but a brand new, big American four-door station wagon thing. We drive around aimlessly in the late afternoon, then get out and walk for a while, until we get to a record store. There’s a cute blonde girl working there who I start talking to. She says that it’s lucky we stopped by that day because she normally works in the Vancouver store. I agree that it’s lucky, and tell her that it’s great to meet her. I tell her that Sean and I have to get back to get his car, but we’ll come back after that. “That’ll be great,” she says, and we part ways.

The dream’s location changes. It’s now late at night, and Sean and I are back at the car. It’s right where we left it–underneath the carport near an abandoned farmhouse–but the doors are open and the dome light is on. I walk toward the passenger side. Sean looks inside, then quickly motions with his hand for me to stop.

Shit,” he hisses. “There’s meth all over the place.” He jumps away from the car and speaks a command into the remote starter.

“What did you say to it?” I ask. He doesn’t respond, but the car suddenly starts itself, turns on its lights, and sort of locks itself in armor and drives away.

I’ve never seen anything like it. “Wow, that thing has a self-destruct feature? Crazy!”

The car drives itself away, turns down the driveway and out to the nearest road, where it turns right and heads down the road a bit. It then turns around, back the way it came, and drives itself off the top of a hill. Apparently it’s supposed to explode, but it doesn’t explode, so it drives back to where we are still standing dumbfounded, with wide eyes and slack jaws.

“What the heck?” I yell, punctuating each command with a hand gesture. “Tell it to ‘go away’ or ‘go away and explode’ or whatever. Do something.”

“You’d better get outta here,” Sean warns me. “I’ll stay here and figure this out.”

“Right,” I say, a little sarcastically. “I’ll just go back, with no I.D. and no money. Wish we’d thought of that before. We could’ve grabbed our stuff.” I turn and walk off down the deserted dirt road.

I walk along the road for quite a while, until it becomes a highway, and suddenly I become very sleepy. For some reason the guard rail of the highway is made of grocery carts, so I climb into one and try to take a nap. By this time it’s about ten in the morning, and it seems that word of the meth-filled car has spread, and the street is filled with cars that are apparently on the lookout for us. I’ve been sleeping curled up with my face buried in my folded arms, and I’m wearing a baseball hat [which I normally never wear; it's the one that's in the back of my car in real life, the one they gave Steph and me when we played the show in Bend] so I’ve so far gone unrecognized. I continue to doze, but I keep an eye on the traffic too. A fire truck creeps by, and all the guys on board crane their necks to look at me suspiciously, but I manage to keep my face hidden, and the truck drives away.

A traffic jam is forming, and the drivers are starting to get impatient. A dad tells his wife and young kids in their stopped van, “Everybody, we just need to be patient, okay?” A woman in a four-door car pounds the steering wheel and decides to go around the jam by pulling into the turn lane. She revs the engine and pulls out, only to be sideswiped by a passing van. This causes a chain reaction, and a number of small fender-benders occur. [See? Yet another car crash dream!] With all the chaos happening, I feel safe enough to climb out of the grocery cart and walk off across the field toward a nearby store to get some food.

The dream changes again, and I’m coming out of the store. The girl I met in the record store is walking in at the same time I’m walking out. She smiles at me a little, but doesn’t quite recognize me yet. I call out, “I remember you, you normally work at the Vancouver store!”

She smiles more broadly and says, “I thought I recognized you, but you know, a girl has to be careful these days.”

We walk to a nearby restaurant, where we each get an old-fashioned vanilla milk shake. We don’t talk much, though, and we still don’t know each other’s names. I hear sirens outside, and I feel that she may be in danger if someone sees her with me. I tell her I need to go take care of a few things, and I walk off.

“Okay,” she says, “see you when you get back.”

The dream changes yet again, and this time I find myself in the middle of the city, in a very run-down old house. It seems to be a residential facility of some sort, where the state puts people they don’t know what to do with; homeless people, orphans, drug addicts, et cetera. I wake up in bed wearing a white T-shirt and boxer shorts, neither of which I was wearing the previous day. Through the closed door, I hear people who sound like case workers talking to each other in the next room, sotto voce.

“Who is he?”

“I don’t know. He was brought in yesterday. No I.D., no money, no wallet, nothing.”

“How strange.”

I get out of bed, put on a pair of jeans that I find on the floor–also not mine, though they almost fit me–and go out into the next room to look for a sweater or something, because it’s fairly chilly. The curtains in the room are closed, and there is no furniture except some short, gray metal file cabinets and an old, wooden desk. There are hardwood floors, dark yellowish walls, and olive green curtains, all of which are very run down and dingy. There are four or five people in their forties and fifties sitting around the room on boxes and file cabinets making idle conversation. It seems that they know how to conduct themselves here, and that they have been all here for quite some time, perhaps months. They ask me a lot of questions, but I’m still cold, so I ignore them and go into a side bedroom to look for a sweater.

It’s even darker in there than in the main room, and there are piles of old clothes strewn about the floor. I rummage around and find a sweater that’s green and brown and white. It’s a bit too small for me, but I put it on, not realizing in the darkness that it has a green, gauzy skirt thing attached to it. I walk out and everyone starts laughing.

“What is it?” I ask, look down, see the skirt, and then I start to laugh too. One of the case workers laughs and shakes her head. I go back into the bedroom and take the sweater thing off. I stop in the bathroom, and before I step out, I look in the mirror to find that I’m still wearing the ridiculous baseball hat–must’ve slept in it too–and that my hair has grown clear down over my ears on the sides, and that I’m wearing old wire-frame glasses. ‘What is this place,’ I ask myself, ‘and how long have I been here?’ I go back into the room and lie down on the bed to collect my thoughts. One of the women from the other room, an attractive black woman in her forties, lies down on the bed next to me, facing up.

“Touch me,” she says. “Here.”

She rolls over on her side slightly to face me, and pulls up her skirt a little bit to show me where her stockings have been pulled down slightly, revealing a couple inches of her bare legs. I touch her there for a while, but then I think of the girl I met, and decide I should probably stop. I tell the woman this, and she agrees, but then sighs loudly with exasperation.

I get up, take a deep breath, and walk back into the main room. One of the men seems to think this is a support group, and as I walk past he asks me, “How thin do you want to be?”

I stop, and laugh a confused laugh. “I never really thought about it. No more so than I am already, I suppose.” I turn away and walk into the kitchen, where I see two older women and the record store girl. I walk over next to her, put my hand on her shoulder and say, “This is amazing; I can’t believe you’re here too.”

She smiles. “I know it! But this is the only place I can go to take care of my colonic disorder.”

The other two women laugh to each other, shake their heads and turn away, but I feel a genuine concern for her. “How long have you been here? Are you doing okay?” She gives me a we-can’t-talk-about-this-here look and walks outside to the yard, so I follow her out.

This is the first time I’m able to really look around at my surroundings. The house is very run down, about a hundred years old, in a not-too-ornate Victorian style, originally painted light green. Surrounding the house is a huge grassy yard, with an overgrown tree which covers the yard and part of the house. Sticking out of the roof of the house is an enormous rusty gas pipe, which turns out to be extremely long, and I can see that it runs in a straight line clear up to an abandoned refinery–think of Gasworks Park in Seattle–on top of the hill in the middle of the city, a couple of miles away. Somehow it occurs to me that the city is Paris, but I can’t be sure. One of the case workers comes outside to supervise the girl and me, so we decide to separate. It occurs to me that I should try and call a friend to figure out what to do next, but of course my phone was in Sean’s meth-filled car, so I don’t have it anymore. I decide to just speak into the air, instead of using a phone, and I “call” Joan.

“Joan? It’s me. I’m in this crazy ‘residential’ place. It’s a long story, but nobody knows who I am, so they sent me here.” She suddenly appears in the air next to me; apparently that’s the way phones work in this dream. I continue, “Whoa. You’re. . .here. But you’re. . .in your fifties or something; you don’t look like yourself.”

She scoffs a little at that. Her apparition has long, permed hair, she is about forty pounds heavier than she is normally, and her face looks very saggy and strange. I ask her, “How long have I been gone? I have no idea. But I look very strange; everyone here does, even you do, right now!”

Joan doesn’t seem the least bit fazed by all of this. “Everything will be okay,” she says. Something tells me she understands, and that she’s been through this before.

The case worker hears my side of the conversation, but he can’t see the apparition I’m talking to. “Oh, my Lord! Who are you talking to?” I ignore this question and continue talking to Joan, and he starts gesticulating wildly, pointing at me with one hand and motioning with his other hand for someone to come quickly and help him deal with me. The girl across the yard sees what’s happening, runs to my side, and slips her arm around my waist. I am instantly comforted, and I get the feeling that she’ll be there, both now and for a long time to come.

That’s when I woke up.

* * * * *

This dream only lasted an hour or so in real time, but the story seemed to last for hours. I got up at 6:00 a.m. to write it all down. It’s now 7:30, and I’ve been writing all this time. I need to take a shower and go to work now.

[edit: I've edited this a couple of times, to patch some things up, fix some awkward grammar, make the tense match, and hopefully make it easier to read.]

Such a crazy dream. Love to know what you think about it all. If you made it clear through to the end of this, you are a saint and a true scholar, and I really appreciate you!